At various points in its history, tiny St. John's Island was where Singapore's colonial founder Sir Stamford Raffles docked his ship upon arrival, a quarantine centre for immigrants and pilgrims returning from Mecca, a penal colony for political detainees and secret society leaders, and a sleepy holiday resort. Unlike its neighbouring islands, however, St. John's was never fully developed. It occupies an in-between space, the vestiges of its history scattered around the land. Its indeterminacy stands in sharp contrast to Singapore, where land use is meticulously planned to fulfil economic and social functions. In this film, St. John's Island - otherwise known as 'Bukit Orang Salah', a nickname coined by the people who were quarantined there - becomes a site of and for reflection, prompting questions about our history, heritage and identity.

Rachel and her two friends explore an abandoned railway track that runs through a dense forest, but an unforeseen incident brings their little adventure to an abrupt end. Elsewhere, 26-year-old Rachel rekindles an old friendship with a high school friend. When a little boy from her past reappears, Rachel finds herself retracing a trail of iron and wood. Wistful and mysterious, the film depicts a world littered with incongruity, absences and traces of childhood dreams.

An intimate journey into the lives of three men, three Singapore actors, as they share, revealingly, their personal lives. An exploration into the realm of human drama, comedy and emotions... Personas, unmasked. Three men. Three lives. Three actors. Three stories.

Juan and Nick are intertwined in a tussle of love, confusion and agony as Juan struggles with society's expectations and the calling of his heart. Is it '...better to have loved and lost. Than never to have loved at all'?

An intimate journey into the lives of three men, three Singapore actors, as they share, revealingly, their personal lives. An exploration into the realm of human drama, comedy and emotions... Personas, unmasked. Three men. Three lives. Three actors. Three stories.

Ah Bee goes on a comedic odyssey through Tiong Bahru Social Club, a data-driven project to create the happiest neighborhood in the world. Little by little, his encounters with the neighborhood's residents reveal the absurdity of life.

In Singapore in 2020, a drag performer named Opera Tang makes her debut in a pink dress as people cheer her on. She has her drag performance, through which she finds a best friend, and her lover, but the world surrounding her is not always pleasant. The conservative beliefs of her Catholic family, the ban on gay sex, and the system of conscription are harsh realities that she must face every day.

In Singapore in 2020, a drag performer named Opera Tang makes her debut in a pink dress as people cheer her on. She has her drag performance, through which she finds a best friend, and her lover, but the world surrounding her is not always pleasant. The conservative beliefs of her Catholic family, the ban on gay sex, and the system of conscription are harsh realities that she must face every day.

Ah Bee goes on a comedic odyssey through Tiong Bahru Social Club, a data-driven project to create the happiest neighborhood in the world. Little by little, his encounters with the neighborhood's residents reveal the absurdity of life.

In Singapore in 2020, a drag performer named Opera Tang makes her debut in a pink dress as people cheer her on. She has her drag performance, through which she finds a best friend, and her lover, but the world surrounding her is not always pleasant. The conservative beliefs of her Catholic family, the ban on gay sex, and the system of conscription are harsh realities that she must face every day.