In the manner of a well run Greek tragedy, leaving aside one of its components, dragging in its passing narrative certainty by the viewer that violent death is the hallmark of so much misfortune purifier, Los Dioses Rotos crowns the very successful arrival of Ernesto Daranas to the feature domains and with it, the team that accompanied him, including the actors.

Gonzalo's life has been marked by the story of his mother, a Mambisa heroine of the war of 1895. After her death, he is sent to Spain. In 1931, he returns to Cuba to reclaim the family possessions and discovers the value of love and death, truth and lies, pain and hatred.