First full-length experimental feature by filmmaker Zwartjes about an actress, played by Willeke van Ammelrooy, who during the whole film, in continuously changes moods, is busy in her room. Eventually, she is made an offer by telephone. But what offer does the actress get?

In a small, unnamed European town the entire population depends upon the local, ailing factory. When American investors arrive, prosperity fever infects the residents.

Diane and Dora are two prostitutes who begin to rebel against their lot in life. Meanwhile, in another part of town, a murderer is at large.

De Boer's own film adaptation of his series of four plays about the brothers Doc and Kil and their willing sister Gina, who maintain their own codes in the face of the bourgeois outside world until death literally follows.

First film by Paul de Nooijer, in collaboration with his artistic father Frans Zwartjes. Moving Stills shows a series of photographs by Françoise de Nooijer, which are joined, by means of editing and colour effects, and turned into a moving picture. The erotic image gets an explosive charge. (filmcommission.nl)

When three women with no previous acquaintance kill a male shopkeeper in the middle of the day, the female psychiatrist assigned to the case sets out to understand why.

In a monumental building a group of scientists submit women to obscure experiments in which sexuality and cruelty constantly merge into one another. "Pentimento" is an art-historical term for a hidden image underneath the actual image giving an indication of how the latter evolved to its current state.

The actual life and the fiction created by a successful pulp author begin to blend together.

Playwright and director Nils Wijn brings his relationship issues to the stage. In his play "The Whore, the Virgin, and the Dying Man," he has his girlfriend Tessa appear in revealing lingerie and takes her to a real prostitute for some practical lessons. This is too much for the actress. Their problem turns out to be contagious, as other members of the theater company also get into arguments with their partners.

The central element in this film is formed by the preparation for and execution of a performance. The performance, a parachute jump, is carried out by an artist (Perrenet) and his girlfriend during the opening of an exhibition. As spectators to the performance, which takes place in the artist’s studio, an art dealer and several friends have been invited. The art dealer enters first, followed by Armand, who looks at some paintings made by Zwartjes; they spout the usual ‘gallery nonsense’. The art dealer appears most interested in the girlfriend. ‘My latest creation’ is how Amand introduces her. The guests who arrive thereafter are introduced in short, independent sections.