Lo Chun-Yip | WatchedThis
Lo Chun-Yip
Acting
Biography
Siuyea Lo Chun-yip (Chinese: 盧鎮業; born 11th December 1986) is a Hong Kong actor and director best known for his roles in the drama films Suk Suk (2020) and Time Still Turns the Pages (2023), which earned him nominations for Best Supporting Actor and Best Actor in the 39th and 42nd Hong Kong Film Awards respectively.
Filmography Movies
Acting
The Dropout Of Her
Kwan believes that she is unique. Enclosed in solitude within her own literary world and deprived of affections from her family, she longs for love in whatever form it takes - no matter how distorted. She considers the detention class with Mr Cheung a shelter from the world, until it is shattered together with all her hopes. She finally comes to the realisation that it is the world that goes against her. There is no hiding place for her no matter how hard she struggles……
Time Still Turns the Pages
High school teacher Cheng looks back to his repressed childhood memories, as he finds an anonymous suicide note in the classroom. He strives hard to prevent another tragedy from happening, meanwhile facing a series of family problems, his wife is divorcing him, and his father is dying.
Lovers’ Lover
Heiward Mak’s Graduation Short Film, which won the 12th IFVA Gold Prize.
April’s Interlude
Shan, a Hong Kong cosmetologist, learnt about the art of solitude during the lockdown period of pandemic. As the regulation of prohibition on group gathering was imposed in April 2020, Shan had to close down her small business and build a new daily routine.
Zombies in the House
Lam Ka-wai is a young rebellious man who seldom goes home early and always quarrels with his parents. One day, a zombie followed Lam back home. Except for Lam, both of his parents and sister became zombies. Even though Lam managed to keep them under control, he could not leave his home. Forced to stay there, Lam had no choice but to live with his family. He had never really cared about his family, but he was starting to learn how to get along with them. Lam gradually understood their daily habits and started to regret not cherishing the good old days with his family. Unfortunately, Lam was later bitten and also turned into zombie when he searched for food outside. Will Lam choose to die with his whole family or become zombies all together?
Montages of a Modern Motherhood
Jing's day begins with a graceful tracking shot that follows her from the early morning as she pumps breast milk, leaves her baby with her mother-in-law, and heads to the bakery where she works.
No. 1 Chung Ying Street
Four young lives were changed forever when they become involved in the 1967 Hong Kong Leftist Riot; half a century later, another four face similar challenges amidst the Mainland-Hong Kong conflict.
Fig
Ka, a common housewife, leaves her husband after big change in the family. Then she encounters Man, who has for years blamed her father Chow for bringing to light his relationship with his lover Tracy after the accidental death of Man’s mother. And so it seems that from departures stems relationships anew, but there are in fact little to be explained in the logic of cause-and-effect for existence, death, encounters, and love.
Twilight's Kiss
One day Pak, a taxi driver who refuses to retire, meets Hoi, a retired single father, in a park. Although both are secretly gay, they are proud of the families they have created through hard work and determination. Yet in that brief initial encounter, something is unleashed in them which had been suppressed for so many years. As both men recount and recall their personal histories, they also contemplate a possible future together.
Pseudo Secular
They are frozen in place, stagnating without any direction. Around them, things change rapidly.
Production
Days After n Coming
Hong Kong's high-speed rail link, the demolition of Choi Yuen Village, the impending budget and the influence of the global Occupy movement are at the centre of independent filmmaker Lo's timely measure of the city's pulse. Ostensibly the third entry in a trilogy that began with 21 years after. (2010) and to be continued (2010), which also captured public reaction to watershed moments in Hong Kong's political life since 2009. The documentary was built upon the material used in its previous installment (to be continued, 46 minutes). It disproves the notion of a passive Hong Kong in a chronicle of a generation poised for massive social change.
Lifting
Countless moving cuboids dispersed across the city act as witnesses to the secret whispers that are drowned out by the crowd.
Lifting
Countless moving cuboids dispersed across the city act as witnesses to the secret whispers that are drowned out by the crowd.
Age of Valiant
At the forefront of most of Hong Kong's demonstrations, 'frontliners' (aka 'the valiant', yung mo in Cantonese) are the black-clad, masked, often armed youth willing to use violence against the HK government and its heavily-armed police force. Willis Ho's remarkably revealing doc approaches from the inside, giving them voices and offering understanding, not judgment.
And Afterwards
What constitutes a “disadvantaged youth”? Man Hang did have noble and lofty goals for his life after graduation, but they were quickly crushed by the harsh reality of life. Working an unglamorous job at a warehouse along a colleague with autism, Man Hang was bullied by his boss with unreasonable demands. His mind wanders back to his school days especially when he was seated next to Wing Lok, a classmate with autism who was constantly ridiculed and taunted by the class. During reunions, Man Hang and his friends mused on the irony: With all of them having similarly unremarkable careers, are their lives more fulfilling than Wing Lok who could remain true to himself?
A Rainy Night
Fong Ka-Man, has been leading a middle class lifestyle. One day, during a heavy rain in the dusk, bearing the fear of illness, she is unwillingly staying away from the rain inside the tunnel. She first encounters a weird tramp, and then a young farmer who is rushing to deliver his harvest. It’s about how the “normal” passes by the “abnormal”. What makes them “normal” and “abnormal” seems to be realistic, but maybe it is just a void. Fong Ka-Man is anxious to find an exit from the difficult circumstance, but accidentally she finds out that what she yearns for is the disappeared end of this city.
6th March
On 6th March 2011, 113 protesters in Hong Kong were arrested for "Unlawful Assembly" after they stormed the traffic lanes of Central during a demonstration against the budget proposal. Protesters were placed in the canteen of the police station for questioning in groups due to inadequate rooms. Three protesters and three police officers, six people with different political views sitting around the table. The copy machine is out of order; it's going to be a long night. So they started chatting.
The Sea Within
Fishermen couple Ah Shing and Mei-wah, having lived from boat to shore, stayed together for most of their lives. After their son grew up, they have different visions towards the rest of their days. Ah Shing insists on fishing amid the decline of the local fishing industry. Mei-wah works as a factory worker and wishes for a more stable life. Even when there are subtle and profound changes in their relationships due to the different views, their affections for each other never stopped and they still support each other. This story is based on the real-life experience of the director's parents, and they play their own character in the film.
Until We Meet at Dawn
In the pitch-black night, a thread of light slowly appeared on the horizon, reflecting shimmering patterns on the waves; it was the dawn wandering and drifting across the ocean, illuminating the path for sailors returning home. Before navigation systems existed, those who went to sea relied on lighthouses to recognize each coastline. By the frequency of a lighthouse's flashing, sailors knew land was nearby, and home was not far away. With a glance, they could tell the direction of home. The lighthouse has stood on the island for over a hundred years, always lighting the way for those returning. To the wanderers far away, and to the lighthouse guiding the way by the shore.
Paradox
After losing his son in the 1989 Tiananmen Square protests, a disillusioned old man chooses to stay silent and block out the noises of political bickering in the city. After all, nothing anyone does ever seem to make any difference. With the quick deterioration of freedom in Hong Kong, how much longer can the old man choose to stay silent before the oppression becomes too much? Amidst the noises from all sides, which side should we listen to, or should we simply stay apathetic and block out the noise altogether?
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