Recently widowed well-to-do Laura Henderson purchases the Windmill Theatre in London as a post-widowhood hobby. After starting an innovative continuous variety review, which is copied by other theaters, they begin to lose money. Mrs Henderson suggests they add risqué burlesque acts similar to the Moulin Rouge in Paris.

A young boy watches a fight in a crowded bar: a masked man versus the people’s champ. But rather than boxing, this is an adult, brutal version of ‘Slaps’ – slaps that can break a man’s hand. Three years ago, James’ alcoholic father Michael left him and his mother, but promised he’d be back to make them proud – now, James believes the man in the mask is his father, returning as a hero, but things are not what they seem...

A university drop-out living with her mum and making money as an unlicensed minicab driver picks up a budding stand-up comic whose marriage has recently broken up.

2001 theatre production of Harold Pinter's one-act play considered his "statement about the human rights abuses of totalitarian governments."

The country that gave the world football has since delivered a painful pattern of loss. Why can’t England’s men win at their own game? With the worst track record for penalties in the world, Gareth Southgate knows he needs to open his mind and face up to the years of hurt, to take team and country back to the promised land.

After a bank robber dressed as Santa Claus holds up a bank, a child disillusioned with Christmas encounters a man in the woods who, also dressed as Santa, claims to have fallen out of his sleigh. The pair strike up a friendship and go on an adventure.

The story of Florence Foster Jenkins, a New York heiress, who dreamed of becoming an opera singer, despite having a terrible singing voice.

Set against the backdrop of the succession of Queen Elizabeth I, and the Essex Rebellion against her, the story advances the theory that it was in fact Edward De Vere, Earl of Oxford who penned Shakespeare's plays.

In June 2009, a group Britain's leading actors gathered for one night only to perform a celebration of the work of Harold Pinter at the National Theatre, directed by Ian Rickson. The team who made the acclaimed Harold Pinter documentaries for BBC's Arena was there to record this unique performance.

An occupied desert nation. A radical from the wilderness on hunger strike. A girl whose mysterious dance will change the course of the world. This charged retelling turns the infamous biblical tale on its head, placing the girl we call Salomé at the centre of a revolution. Internationally acclaimed director Yaël Farber (Les Blancs, Hamlet) draws on multiple accounts to create her urgent, hypnotic production.