
Acting
Ljubivoje "Ljuba" Tadić (Serbian Cyrillic: Љубивоје Тадић Љуба) (31 May 1929 — 28 October 2005) was a Serbian actor who enjoyed a reputation as one of the greatest names in the history of former Yugoslav cinema. He made his screen debut in 1953, but his first truly memorable role was in the 1957 film Nije bilo uzalud. In this film, like in many others, he played the villain, but he turned out to be the most memorable character. Later he built on this reputation and continued to play important historical and larger-than-life characters. He also made history by uttering an obscenity in one of the final scenes of 1964 World War I epic Marš na Drinu, which was the first such instance in the history of former Yugoslav cinema. Description above from the Wikipedia article Ljuba Tadić, licensed under CC-BY-SA, full list of contributors on Wikipedia.

The dramatization of Socrates' trial for spoiling the Athenian youth which resulted in his death sentence.

20 peoples paths crisscross one night in violent mid-'90s Belgrade.

Maestro Nikolai Masoudov, a talented writer, and his assistant Margaret, are working on a biblical story of Pontius Pilate. The Satan — Woland, and his lieutenants, are harassing Master by surveillance, by killing his friend, and sending another friend to Gulag prison in Siberia. Victimized by their harassment, Master becomes paranoid, and is locked up in a mental institution. Margaret is trying to save him regardless of the danger.

Rade is in love with Milica, but her father Marko, a village butcher, does not approve. He wants his son to finish school and leave the village. Marko buys a sick cow from Milica's father, puts a false stamp on it, and sells the meat as if it were healthy. Rade finds out that his father has been doing this for a long time, and so he comes into conflict with him.

In 1389, the Serbian prince Lazar Hrebeljanović refused to submit to the Turkish Sultan Murat, who was invading Serbia with a large army, in order to continue conquering Europe through it.

The story takes place at the beginning of the bombing, both in Belgrade and in one small town in Serbia, at the end of March 1999. Forty-year-old Mickey, an unaccomplished writer, a disillusioned assistant professor at the Faculty of Fine Arts, a discouraged democrat and a columnist, dismissed from a famous daily newspaper, emerges from his own grave and enters into his own life. Within 48 hours, he will try to achieve all those things he couldn't while he was alive. At the same time, post-mortem, he will try to save the dignity of his own community and his tribe, not taking too much care of himself.

Jovana and Aleksa are young people, linked by fate since childhood. Forced to move from the area where their ancestors lived for centuries, trying to find and secure the place to live in their new environment. Faced with the loneliness, and separation, because Alex works abroad in order to pay for the house, and they collide with the unsolvable problem for them - a fraud!

The headquarters of the Marshal Tito's Liberation Army are surrounded by Axis forces. The Partisans have no choice but to fight their way out of the encirclement and face the enemy on the plains of Sutjeska.

Old writer Mihailo tells his dying wife a story about lovers and romances set in different seasons. In order to keep her alive, he talks about other people's romaces, but these are supposed to revive their own love story. The heroes of his stories are couples of different age who let go into frivolty of kisses and delicate game of seduction. Mihailo's wife does not like the stories at all because there is no true moral in it - they keep running around in circles. Mihailo decides to tell a new story that should please her. The heroes of the story are young Milos and Mila. Purified by previous experience the two of them move through idealized city scenes, freed from foul play and cheating-it looks like true love can still be found.

The story is set in an ambiance of a dark utopian future, a city of mentally dead zombies under the firm grip of military dictatorship. Boldly, like a man on a mission, the Tailor will walk the Kafkaesque and macabre streets of a city where terror and gloom roam freely, in his Diogenes’ search for purity and love.


