From activist and painter Frida Kahlo to filmmaker Leni Riefenstahl to Hitler’s lover Eva Braun – Liz Rosenfeld tells a trio of queer histories that may or may not have actually happened. Making no attempts to disguise the fact that, despite taking place in 1924, 1933 and 1977, the films were clearly made in modern-day Berlin, Rosenfeld turns the way we normally look at history on its head.

An exploration of cruising glory holes, the clash between queer politics and queer desire, feminism, and general queer frustration.

After extensive research into the history, methodology and imagery of Luther Price’s film Sodom (1989), Rosenfeld created a portrait of an infamous tree which holds space for cruisers in London’s Hampstead Heath.

Featuring interviews recorded in Los Angeles and Berlin in 2019/20, the experimental documentary short OINK! offers a portrait of gay men who—in different ways—relate to the gay “pig” sexual imaginary. The film provides insight into their experiences of identity, masculinity, community, belonging, sexual pleasure and intimacy, as they are co-shaped and framed by 21st-century media.

Both an embrace and deviation of Barbara Hammer’s 1974 film, Dyketactics. This work is a pure corporeal expression of bodies interacting, mingling, touching.

Both an embrace and deviation of Barbara Hammer’s 1974 film, Dyketactics. This work is a pure corporeal expression of bodies interacting, mingling, touching.