Writing
Liz Day is known for her work on The Weekly (2019), The New York Times Presents (2020) and Last Week Tonight with John Oliver (2014).
Britney Spears has said that her conservatorship had become “an oppressive and controlling tool against her”. This New York Times investigation reveals much of how it worked, including an intense surveillance apparatus that monitored every move she made.
The analysis delves into systemic problems, controversial methodologies, and pressing demands for reform that have profoundly impacted the horse racing industry.
Chronicles the rise of Collab Crib, one of the first mainstream Black creator mansion, exclusively documenting their whirlwind drive to achieve social media stardom in 90 days.
Are you hesitant to get a Covid vaccine? This doctor opposes them. If you agree, he has some pet supplies he wants to sell you. Meet Dr. Mercola, perhaps the most influential spreader of Covid vaccine misinformation online.
This two-part film on Hollywood's dirtiest P.I. uses never-before-heard recordings to reveal the extraordinary methods Anthony Pellicano employed to hide the sins of celebrities and their lawyers when they thought no one was looking.
In his short lifetime, J Dilla was a musician, producer and visionary who profoundly influenced rap and hip-hop. Given how prolific he was in his 32 years, why didn't his accolades come sooner?
The making of a pop star in 2020: A young musician is plucked from obscurity -- jail, actually -- and given a multi-million dollar record deal. Meet Dominic Fike as he prepares for his first international tour and makes his debut album.
As GLP-1 drugs like Ozempic soar in popularity for weight loss, this film follows three people on their own GLP-1 journeys and explores how decades of diet culture and society’s relentless pursuit of thinness paved the way for their rise.