A documentary about abuse and mental illness among young people in Sapmí.

A documentary about abuse and mental illness among young people in Sapmí.

The year was 1916, we follow Sire’s everyday life, until her final moments. We are a part of her little world and get to see how big that little world can be. How rich it’s in emotions, sounds and memories. Sire reminds us of life, not death. She was my Máttaráhkku, great-grandmother, and my grandfather was 10.

The year was 1916, we follow Sire’s everyday life, until her final moments. We are a part of her little world and get to see how big that little world can be. How rich it’s in emotions, sounds and memories. Sire reminds us of life, not death. She was my Máttaráhkku, great-grandmother, and my grandfather was 10.

The year was 1916, we follow Sire’s everyday life, until her final moments. We are a part of her little world and get to see how big that little world can be. How rich it’s in emotions, sounds and memories. Sire reminds us of life, not death. She was my Máttaráhkku, great-grandmother, and my grandfather was 10.

The year was 1916, we follow Sire’s everyday life, until her final moments. We are a part of her little world and get to see how big that little world can be. How rich it’s in emotions, sounds and memories. Sire reminds us of life, not death. She was my Máttaráhkku, great-grandmother, and my grandfather was 10.

The year was 1916, we follow Sire’s everyday life, until her final moments. We are a part of her little world and get to see how big that little world can be. How rich it’s in emotions, sounds and memories. Sire reminds us of life, not death. She was my Máttaráhkku, great-grandmother, and my grandfather was 10.

The year was 1916, we follow Sire’s everyday life, until her final moments. We are a part of her little world and get to see how big that little world can be. How rich it’s in emotions, sounds and memories. Sire reminds us of life, not death. She was my Máttaráhkku, great-grandmother, and my grandfather was 10.

A young woman struggles to defend her Sámi heritage in a world where xenophobia is on the rise, climate change is threatening reindeer herding, and young people choose suicide in the face of collective desperation.

Liselotte Wajstedt creates a tender narrative about her grandmother. She examines a personal history and discovers connections to her own life. The work also reflects several profoundly universal questions and ideas about life. Liselotte Wajstedt sews a white kolt for her grandmother using the sewing machine she inherited from her. Along the hem she has printed a row of images from the grandmother’s life, which are then joined together, piece by piece.