The poor ghost of Sir Simon Canterville has been roaming his castle searching in vain for a brave descendant who will release him from the Canterville curse by performing a brave deed. An American family moves in and finds the ghost amusing, but a young girl in the family can release him - if she dares.

Staged by Sellner, conducted by Maazel with costumes by Sanjust and performed by the six soloists with consummate vocal elegance, Cimarosa's "Secret Marriage" offers unadulterated pleasure and triggers a kind of ecstasy with its combination of delicacy and opulence as well as its sophisticated humor. It brings Cimarosa's musical mastery to the fore - but also the visual impact of the opera. The stage is no longer a place of intellectual barrenness, but once again a playground, a sparkling showcase of wit and intellect.

On stage, Christa Ludwig's Leonore puts all others in the shade. In this role, she achieves something rare: a perfect unity of stage character and singer. Her male disguise is believable; this Fidelio is a slender, lanky young man with whom it is easy to imagine the silly Marzelline falling in love.

The Queen of the Night has begged Prince Tamino to free her daughter Pamina from the clutches of the High Priest Sarastro, who has abducted her. Together with the bird-catcher Papageno, Tamino enters Sarastro's realm to seek her. When he finds her, the two fall in love, but they have to have to undergo ordeals before they can be together. At the end, Papageno is also rewarded with his Papagena.

Opera by Strauss

The production by Deutsche Oper Berlin achieves a beautiful balance between the stage drama and the music. It proves that there are still singers who can perform Verdi's melodies at the highest level and that it is also possible to bring them together into an ensemble. The production fulfills all one's expectations of the modern city of Berlin in terms of stylishness and performance.