Directing
Lionel Baier is a Swiss filmmaker. He studied Art at University of Lausanne from 1995–98. In 2009, he co-founded the production company Bande à Part films, together with Ursula Meier, Jean-Stéphane Bron and Frédéric Mermoud.
This coming-of-age drama deals with a young man, realizing who he really is and which things he will never do...
Lionel is a happy gay man with a great career and an open-minded family that accepts his loyal lover, Serge. But things start to unravel when he meets a pretty Polish immigrant who is about to be deported and decides to marry her.
David Miller wants to die and chooses assisted euthanasia. He planned everything: the place, the time and the manner. However, nothing goes right. With Esperanza, member of the association, and Tréplev, young prostitute, David embarks on his ultimate night with total strangers.
Maud is an architect and a mother. Due to a misunderstanding, she wins the competition to refurbish the parvis of Notre-Dame. Torn between these responsibilities and love issues, she will go through an emotional storm.
Since he is 9 years old, David Miller has known the date of the day he dies. As it nears, he meets those he cares about for the last time, obsessed by the idea of learning how to tie a tie and by the the fall into water of the Quebecker filmmaker Claude Jutra. Shot with a cellphone over a decade, from Lausanne to Ouagadougou, Low Cost (Claude Jutra) is a small fiction about the market value of a human life in a time when everything is discounted. Life is priceless, death, however, negotiates…
April, an idealistic lawyer dedicated to lost causes, agrees to defend Cosmos, a dog that has bitten three people, leading to the first canine trial. She has no choice but to win the case, as otherwise, her unusual client will be put down.
Two men meet for a blind date in a dark apartment, according to an agreed arrangement. The lights come back on, Lucien and Anton confront their differences... On edge, a new scenario emerges.
A permission, an eternal return, it is in this suspended context, out of space and time, that the gathering of three young men happens, under the bright and suffocating lights of the bank district and the luxury boutiques of the city of Geneva, a symbol of a cold and radical social cleavage. Between masculinity, violence and ethic, everything seems to be made in order for the friends to deconstruct the universe, alone, at the top of the world.
Two young boys have stolen some expensive scarves and are being pursued. To get out of town, they hijack a young lady’s vehicle. She ends up following them as they flee.
Two imprisoned brothers, with no dreams or realities, seek a bit of air to breathe. What must die suffocates. What wishes to live hopes. A tunnel opens in front of them. They fall into it, sink into it, forget themselves. A light envelops them, then eternity.
Leandre goes looking for a stranger named Tristan to give him some bad news about a mutual friend. However, when they meet, Leandre fails to deliver his message, which makes Tristan believe that they met by pure chance. They form a bond, but the true nature of what links them to the same boy remains ambiguous.
Nathalie Adler is on a mission for the EU in Sicily. She organizes the next visit of Macron and Merkel to a migrant camp. Their presence has a high symbolic value to show that everything is under control. But who still wants to believe in this European family on the verge of a nervous breakdown? Probably not Albert, Nathalie's son, an NGO activist who arrives without warning. He, moreover, no longer believes in his mother.