Single mother Lotta and her younger sister Sanna are both successful in their different jobs, and are living very different lives, but are attracted to men who are their opposites.

Just like in the film, the musical's immersive story begins with a death notice that becomes the starting point for Fanny Zander's search for her roots. Together with their faithful, extravagant companion Zac, they leave the nightclub life of Berlin to make their way home to the small village of Yxared, located deep in the forests of Västgoth. Their grand entrance into the small community becomes a culture clash that stirs up emotions among the villagers but also creates new, lifelong bonds.

‘E-e-emil!’ shouts father across the small farm in Katthult, the boy is up to his old tricks and will have to be banished to the woodshed. Except that Emil doesn’t see this as punishment – on the contrary: he locks the door from inside so that he can continue undisturbed to carve another of his wooden figures, of which he has a whole collection. His little sister Ida also wants to sit inside the shed, but she’s too well-behaved. This new adaptation of Astrid Lindgren’s beloved tales from her book ‘Emil of Lönneberga’ portrays the sunny side of life in the country at the beginning of the twentieth century.

A lot happens in a small village in 15 years. People fall in love, get married, have kids and divorces. Some move, some die - in Yxared just like in other places. Zac, Fanny and her daughter Alice travels back to to the small village in Ostergotland. Alice makes them return - where does she come from, what are her roots? The question about who Fanny's dad is, arises once more. And Alice, who's her dad?

A town in south of Sweden is isolated after a viral outbreak. The Swedes and immigrants still inside must band together to survive the onslaught.

It's a festival in the city. The crowd enjoying the jesters, firefighters and jugglers, cheering and laughing. But everyone is not having fun, Dag is fleeing from the cruel circus director Machiavelli. With the help of his new found friends Anna and Morgan he manages to escape to Circus Imago. But Machiavelli does not intend to give up the chase so easily.

Already at a young age Lindy became aware that he didn't fit in. He was thin, girly, and from a family which already was exposed by the society. To survive, he fled into a fantasy world where he was the super hero Little Light - a boy who could spread light across the world. He was dreaming of becoming someone else - an actor. Today he's acclaimed and loved for his interpretations. But when he gets asked by The Maxim Gorki Theater in Berlin to get up on stage as himself, everything is put at stake. Can he tell his story without harming his loved ones?

Amidst Europe’s risk of neo-fascism, a group of actors, including Romnija, Roma, Romani travelers, and Israeli-German-Turkish-Berlin Gadjé, is advocating for a Roma army for self-defense against discrimination and racism. Initiated by sisters Simonida and Sandra Selimović, this supranational, diverse, feminist, and queer initiative is part of an artistic action at the Gorki with director Yael Ronen. They explore personal experiences and historical events to create a play, collaborating with visual artists Delaine and Damian Le Bas to envision a Safe European Home in Gypsyland Europe.