An Inuit mother and daughter, Kumaa’naaq and Marguerite, must negotiate the pressures of assimilation after relocating to a new life in the South in the 1930s. Based on a true story.

A young transgender Indigenous musician and his rock band bring mumble punk to the Interstellar Rodeo. A rock ‘n’ roll survival story of a different stripe.

A looping 16 mm performance exploring the framework of tree/human relationships on unceded Pacheedaht territory at Fairy Creek. A site of civil disobedience, it is also a place of recognition, passion and dedication for the more-than-human beings with whom we share the planet. High-contrast images are hand-processed, optically printed, contact printed and altered, creating a portrait of this landscape and its employ at the hands of humans.

A single-subject portrait of a young Nunamiut athlete through the practice of his sport, which focuses on the materiality of film and its surface textures.

Cree director Alexandra Lazarowich riffs off classic verité cinema to craft a contemporary portrait of Métis women net fishing in Northern Alberta.

Under the care of manned mechanical beings, we sit and wait in suspension. Held in abeyance, one cannot help but be captivated by these beautiful, hopeful, watchful creatures.

The studio workings behind door 11a in the Ortona Armoury. An ode to a practice and place that should not be forgotten.

Renée arrives to her hometown of Ste. Anne after a long absence. Her brother and his wife are raising her daughter Athene as their own, and the return of the prodigal mother is a surprise to all involved. The tension between them grows as the questions that have been accumulating over the years await their answers.

A close up look at director Lindsay McIntyre's great-grandmother’s amauti. But what is between what you can and cannot see?

Barge Dirge is an experimental short that ponders death and industrial decay, a tense and mournful tone piece that imagines the rubble of humanity long forgotten. While Joyce Weiland’s iconic Sailboat bobbed freely on pale blue waters, McIntyre’s rusty barge rots trapped in frozen arctic permanence; heavy, unmoving, abandoned. As frozen mechanical flotsam flashes on screen we are left to wonder what, exactly, is being mourned? Perhaps community? A way of life? Our environment? Humanity itself? Barge Dirge challenges notions of legacy and memory by presenting us with only the ugliest remnants of humanity, preserved in a boundless frozen wasteland.