Six Jewish women, from different countries and different backgrounds, found themselves deported to the notorious concentration camp, Auschwitz-Birkenau, during the Holocaust. This film attempts to chronicle that experience through those same female eyes. While subject to the same physical hardships as men, these women do not dwell on that. Instead, they speak of camp families and faith, uplifting one another while trying to remain human. It was this path of spiritual resistance that, while not responsible for their direct survival, led to their ability to survive with healthy minds and spirits despite the constant barrage of their surroundings. Swimming in Auschwitz gives us a perspective of the camp, its surroundings and the Holocaust that we need to understand and remember, so that we never forget.

For six female Holocaust survivors, liberation from the camps marked the beginning of a lifelong struggle.

Brought to life through archival material and the reflections of over 40 colleagues, friends and fans, BLOOD & FLESH is much more than the story of a moviemaking life most unusual. It beautifully captures the worlds of outsider filmmaker communities that existed in California in the ’70s, and the weird ways they intersected with Hollywood mainstream and union indies. On Adamson shoots, regular Orson Welles crew and cinematographers like Gary Graver, Vilmos Szigmond and Lazlo Kovaks worked alongside Bud Cardos — and at one point, Charles Manson! Director David Gregory (founder of Severin Films, director of LOST SOUL: THE DOOMED JOURNEY OF RICHARD STANLEY’S ISLAND OF DR. MOREAU) spent years making this film, speaking to everyone down to the cops who investigated Adamson’s murder, vividly encapsulating both a bold life and tragic demise, with alien conspiracies, go-go dancers and Colonel Sanders coming in along the way. If you’ve got even a passing interest in cinema, you want to see this