In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

A film in three movements. In the first one, we find a historical synthesis of Brazilian architecture, from the slaves' dwellings to the Ministry of Education Building. In the second segment, architects such as Burle Marx, Lina Bo Bardi, Grigori Warchavchik and Joaquim Cardoso talk about architecture's social function. In the third movement, inhabitants of some Brazilian cities discuss the space they live in.

The multiple screen installation and photographic series A Marvellous Entanglement (2019) traverses a collection of Lina Bo Bardi’s most iconic buildings, offering a meditation on the work and legacy of the visionary modernist architect and designer (1914–1992).