When old auntie Mirta succeeds in a lottery and wins a car which she cannot use herself, all sorts of family members suddenly appear by her side, hoping to get the car after their auntie's death. Until then, they had never helped Mirta, it was only her neighbours who supported her in her old age. Now, her nephew Ēriks with his wife and son, and her ex-daughter-in-law Olita with her second husband and daughter, would all love to get their hands on the car that's in the colour of Midsummer's Eve.

A two-part documentary story about Latvian theater prima donna actress Lilita Bērziņa and her century. An attempt to answer the question: how did time and people shape their idols? On the one hand, she was a darling of the public and a model citizen, whose political naivety is still the subject of backstage anecdotes. On the other hand, a tragic personality with an unsuccessful marriage and an unfulfilled personal life.

The Latvian epic "Lāčplēsis" resounds through time and parallels the struggles of a Latvian soldier and his love before, during and after WWI.

The end of nineteenth century. Maidservant Madara is in love with farmhand Andrs, yet she marries a rich and old household owner. As time passes, her heart hardens and things get complicated when Andrs returns to the neighborhood and Madara's husband dies leaving her widowed with a son.

Land surveyors arrive in two parishes to measure and redistribute manor land. The rivalry between both feoffees for land and woman begins.

The great actress Julia Lambert suddenly realizes that she is, alas, getting old. What can help a woman who has absolutely everything? Only new love. And Julia falls in love with the first person she meets: an ambitious young man who has not a penny behind his soul. So begins a new life - a new romance and new tears. How else could it be?

Arvīds Lasmanis can't hold any job for long because he is not ready to tolerate deceit and slapdash work. He still has to feed his family, by chance he finds a well-paid job as a gravedigger. A friend helps Arvīds to find a place in a construction team, but other workers don't approve of Arvīds' high principles. His wife accuses him of not knowing how to make money, the family lives crammed in one room of a shared flat. The Soviet absurd comedy tells a story about a man who, while at odds with the system, won't lose his conscience and his true self, even if it means saying no to wealth and comfort.