Friends of Luis Buñuel discuss the director while Buñuel mixes drinks and entertains friends in his home.

In 19th-century Mexico, young orphan Alejandro is adopted by the wealthy, landowning Earnshaw family and moves into their estate, Wuthering Heights. Soon, the new resident falls for his compassionate foster sister, Catalina. The two share a remarkable bond that seems unbreakable until Catalina, feeling the pressure of social convention, suppresses her feelings and marries Eduardo, a man of means who befits her stature. Alejandro vows to win her back.

Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!

Newlywed Oliverio receives disturbing news that his mother is on her deathbed. He travels to a remote part of Mexico to fetch a lawyer who can sort out her will. Leaving his wife behind, he embarks on a bus ride that’s interrupted by an increasingly absurd series of episodes, including an impromptu birthday celebration; a one-legged man writhing in the mud; come-ons from an insatiable small-town belle, Raquel; and Oliverio’s frequent, Freudian nightmares.

A man goes on a trip and then returns to his village pretending that everything went well for him.

The encounter with an old lover puts a revolutionary general in great danger of death.

Mexican feature film

Young Raúl looks for his ex-girlfriend Alicia to resume their relationship, but she responds that she doesn't love him anymore. The young woman lives with her godfather Marcial in a hotel he owns.

Two showgirls need to find husbands in order to collect an inheritance.