The Man Who Cleans knows you can find a lot of secrets in trash. People tend to lie but their trash never does. The Man Who Cleans thought he was invisible, until he met the Girl with the Purple Hair Lock. Girl with the Purple Hair Lock breaks into his tidy life because only an evil angel can save her now. Meanwhile, the Huntress knows somebody is killing blonds out there. Nobody believes her, but she knows. What she doesn't know, though, is that evil is hiding behind the green door. The truth lies at the bottom of a dark, deep abyss.

Alina is twenty-five, comes from Ukraine and works as a prostitute on the outskirts of Rome. Jani, the guy who brings her onto the street everyday, can't keep his eyes off her. He believes the child she is carrying is his. This almost illusory certainty drives him to look for a way out from the cage that encloses them.

Giulia’s is a poised world, made of rigour and sacred texts, which fiercely excludes those who do not belong to it. Libero's world is the world of all the others, of those who make mistakes, who fend for themselves looking for another chance and who love unconditionally. When Giulia meets Libero, she realizes she can have another destiny, one she will have to choose and build.

In the Middle Ages, Federico, a soldier, visits the convent in Bobbio, where Sister Benedetta is facing charges of witchery for seducing Fabrizio, Federico’s twin brother, and making him betray his priestly mission. Federico hopes to secure his brother a burial on consecrated grounds. In modern times, Federico Mai, a Minister inspector, knocks on the doors of the very same convent, in order to broker a sale of the property to a Russian millionaire. Unbeknownst to him, a mysterious "Count" lives there.

Vito and Carla have been separated for a long time, they have three children and used to love each other deeply before their love went sour. Now Vito has a new life and Carla has a partner. At a time when everyone feels tragedy can be avoided, fate is on their other side. One night, Vito disappeared. From that day on, no one ever heard from him again. His disappearance triggered an investigation involving all those involved. But is there really an irrefutable truth in these cases?

Francis, a forty year old engineer, after a mysterious disgrace he retired to live in a village on Lake Iseo. With still little daughter occupies the former family villa, a magnificent Art Nouveau building on the lake shore. In the big house there is, however, another mysterious person, of which only perceives the echo of the respirator that keeps her alive. But other presences no less disturbing, and certainly more dangerous, they move around the villa. What happened to the man and his family? What secrets hide? Marta will know, childhood friend always in love with him, awaken Francis from the torpor in which he has fallen, and free him from the pain? And most importantly, how many succeed they gravitate around the house to escape the danger that threatens their lives? Breaths tells how the pain can profoundly transform a man crushed by memories, guilt, fears. He also wants to show the extent to which an individual is able to accept the existence paths without being a victim.

Lu and Fati are teen mums living in a religious shelter in Buenos Aires. Sister Paola arrives there to take her final vows. But the girls’ impending motherhood faces her with a challenging situation.

1936. Giovanni Comini, the youngest Federal in Fascist Italy, is summoned to Rome for a delicate mission: to surveil aging national poet Gabriele D'Annunzio, whose increasingly restless behavior Mussolini fears could damage his alliance with Nazi Germany. However, after spending time with D'Annunzio, Comini finds himself torn between loyalty to the Party and his fascination with the poet, who will put his burgeoning career at risk.

On the verge of her eighteenth birthday, Lisa finds a small hole under her bed that grows wider and deeper every night. From that moment on, a hypnotic force seems to act on her subconscious, driving her to actions and gestures she is not fully aware of. While, as if by magic, all her desires begin to come true one by one, her life becomes haunted by night terrors and unsettling visions that push her to progressively lose herself in an indefinite zone between dream, vision, and reality. In trying to defend herself against the metaphysical attraction this force seems to have on her and her perfect bourgeois family, Lisa discovers that to achieve success and happiness in the society she lives in, certain "sacrifices" must be made.

In the untamed beauty of the island owned by an extraordinarily wealthy Marquis, Elena's arrival marks the beginning of a passionate love affair. Complicity and transgression, sex and power, in a film inspired by 1960s Italian true crime, where erotic play unfolds into obsession.