Three young girls on their way to adulthood. Xiao-Bu fights over a cigarette with her friend Angel. Ah-Mi sleeps with Xiao-Bu’s boyfriend. He is very popular and lets Angel steal a kiss. Can it get any worse? Life with a depressive, alcoholic father, who can only stare out of the window, for example. Or is it actually worse when dove excrements ruin the new dress that was supposed to be worn on the date with a handsome guy? When you are 17, a coin can still be thrown in order to make decisions. Should the friendship with Angel remain? Is everything that happened a coincidence? Adolescence without emotional chaos is like a life without reason. Is it really of importance who loves who the most, or is it just a game?

A middle-aged couple are taking a walk by the harbour and having a fight when they meet an old acquaintance. When they walk past the Mazu temple, where he proposed to her, it reminds them of how things used to be.

On the day when Hui’s long-gone father suddenly reappears, she and her sister spend happy hours with him. However, when Father announces they will embark on a journey abroad, Hui knows she must reveal the truth about his mental illness.

It's the summer of 1993, six months since the death of Wang's wife, Chuen-Ying. His son, Chi-Shiung, has just come home from Taipei in order to take care of his father's Baozi (steamed buns with stuffing) business. Although he didn't want to take over his father's store, Wang insisted he wanted to keep it. Chi-Shiung suggested to his father that he hire some extra staff and so Ying, a Vietnam woman, is hired. In the mean-time Wang can't get over Chuen-Ying's death and begins to burden Ying. —Jean Huang

10+10 is a project initiated by the Taipei Golden Horse Film Festival to demonstrate the solidarity between Taiwanese film-makers. 20 directors are invited to make a 5-minute short film each on the theme of the “Uniqueness of Taiwan,” but allowed total freedom in all other aspects.