Bloodied, barefoot, and branded like cattle, a mysterious woman wanders into a desolate frontier town with an aim to kill the son of a bitch that done her wrong.

Rock stars Peter and Seymour vie for the attention of TV actress Agnes. Agnes has a hidden connection to Roland, a deluded, dipsomaniacal office worker. Roland's boss has a disillusioned and misguided teenage daughter, whom Roland meets and latches onto as his personal savior. And guiding us through this mysterious maze of relationships are delusional bible salesman Fred and pretentious film director Sean. Sound convoluted? Deliriously, wonderfully so.

Through honest reflection, complemented by insight from colleagues and friends, Faye Dunaway contextualizes her life and filmography, laying bare her struggles with mental health while confronting the double standards she was subjected to as a woman in Hollywood.

Cannes, 1999. Alice, an actress, wants to direct an indie picture. Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she'll use Millie, an aging French star. But, Rick, a big producer, needs Millie for a small part in a fall movie or he loses his star, Tom Hanks. Is Kaz for real? Can Rick sweet-talk Alice and sabotage Kaz to keep Millie from taking that deal? Millie consults with Victor, her ex, about which picture to make, Rick needs money, an ingenue named Blue is discovered, Kaz hits on Victor's new love, and Rick's factotum connects with Blue. Knives go in various backs. Wheels spin. Which deals - and pairings - will be consummated?

In a small Catholic boarding school an unspeakable act has been committed. When High School student, Luther Scott, confesses to Father Michael Kelly, Kelly is bound silent to the particulars of a grisly murder. Now, framed guilty by the desperate teen, Kelly must decide to keep his silence or throw away everything the priesthood holds sacred.