A hotel by the northern shore of Portugal welcomes its guests over the weekend. A man is torn between being present for his wife and the space that his mother takes up between the two of them. A mother encourages her daughter’s marriage to enable her own love affair with her son-in-law. Another mother lives through her daughter, preventing her from making her own decisions. Three families at the end of their cycles of acceptance.

Through the madness of summer and to the sound of music, the past and the present of 'Morangos com Açúcar' cross paths in a unique adventure. Between the beach and the pool, the campsite and the holiday camp, long-time friends meet again and new friendships happen.

Thirteen year-old André lives isolated with his father in the dry region of Alentejo, helping with his water well drilling business instead of going to school. When his father suddenly disappears, André must turn to the only neighbor in miles, a young mother named Sandra, as the only chance of finding him.

After the death of his mother, Carlos returns to his childhood home. During a long night, Carlos is confronted with the many neighbors of his hometown, who will try to test him and lead him to madness.

Idling afternoons, drugs, heartbreaks, psychedelic moods immersed in music. An adrenaline rush. Lisbon as the backdrop for a drifting youth.

A group of actors interpret the words of Basil, Lord Henry, Dorian Gray, Sibyl Vane and James Vane, from the novel "The Picture of Dorian Gray" by Oscar Wilde. Next to them are the Butlers - figures that compose the scenic space, essentially empty. In this adaptation of a literary work to the scene, the actors struggle with the movement of the words and their suitability for the drama. This film, instead of portraying the show creation process, sought a view from afar in order to enhance a point of view on the borders between art and life.

Cristina disappears. Tiago, her boyfriend, says that she was kidnapped, two police officers (Marco and Madalena) investigate the case and try to find the truth.

We stare at mirrors as if 'image' was a weapon of self-defense. At night, I hide in actors' dressing rooms for a working class experience. By day, I face an old theatre being razed to the ground, making way for a parking lot. Graffitis have curtains, the nose cap of an umbrella arises from a mount of sand. Oh, Happy Days! No need to stage anything! The bulldozer is a dinosaur whose teeth and gracious neck swings by a EU flag. In the boxes, we await the audience. Sometimes, nobody comes. Lost in a symbolic show of reality, I can only watch the world's end because all the endangered species perform and a reflecting labyrinth of life stories breaks through the glass of the Economic Eating Machine. Even when the sky is falling, theatre will always happen. So, choose the right place.

It is 1979. Four young ladies are hired to form a girl band. They can sing, they shine with their dancing, and they shock the country. They become a big hit. They are DOCE.