Acting
Li Li-hua (Chinese: 李麗華; 17 July 1924 – 19 March 2017) was a Chinese actress, better known as an actress from the Shaw Brothers Studio. In 1957, Li married Hong Kong actor and director Yan Jun (嚴俊) (December 17, 1917 – August 18, 1980).
Lin Yong Kang has an affair with Xu Mei Fan. She gets pregnant and they lose contact as the Japanese invade Hong Kong.
General Chai and Lady Balsam
Lady Balsam's Conquest. A sequel of General Chai and Lady Balsam.
A Mandarin adaption of Camille directed by Chang Shan-Kun and Evan Yang.
American pilot Cliff Brandon, fighting the Japanese in China, finds himself the unintentional "owner" of a Chinese housekeeper, Shu-Jen. The unlikely couple falls in love and marries, but not without tragedy brought on by the war.
Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.
This is a historical drama that was produced by the Shaw Brothers Studio.
The Black Fox (黑狐狸) is a 1962 Hong Kong thriller film directed by Yan Jun. The film was produced under the Shaw Brothers banner in the Mandarin language.
Experienced heroine Li Li-Hua plays a swordswoman out to reclaim her murdered husband's "Green Sword," the sharpest blade in the world. The lovely Li Ching plays the role of Li Li-hua's student, who must take up the fight when her teacher falters.
The tragic love triangle of early 20th century Peking Opera star Chiu Hai-tang, his beautiful stage partner, and the warlord who forces himself between them, has been a favorite with Chinese audiences for decades.
Taiwanese horror movie from 1970.
Anatole France's The Man Who Married a Dumb Wife has been adapted into three different Hong Kong films in the 1950s alone. These two adaptations stray from the source material considerably in genre, characterisation and plot, turning a farce about married life into localised romantic comedies that emphasise family values. The Beauty and the Dumb follows the couple from their meet-cute to the misunderstandings they encounter before the inevitable happy ending. The heir of a bank (Huang He) falls in love at first sight with one of the employees' daughter (Li Lihua), but their burgeoning relationship is nearly derailed when the girl's father intervenes to help his dumb daughter land a rich husband.