A young Cuban named Olga arrives in Spain with a scholarship convinced that she has landed the chance of a lifetime. Deciding to stay, she eventually becomes an illegal immigrant, suffering the brunt of marginalization and, unable to return home, having to get by as she can. Mari Jo is a young girl from a poor Valencian suburb, born into a family with nothing but problems. Fate has marked her life as she too becomes an outcast. Both end up working illegally in a furniture factory where they earn three times less than the minimum legal salary.

Lola, Kike and Santi are three bored friends stuck in some archetypal Spanish backwater with nothing to do but form dodgy rock bands, play in fairgrounds, or hang around deserted railway depots. In the latter they find a gun, which Lola takes care of, not trusting the macho posturing of her friends. Both are in love with her, and she seems to respond warmly to each. In a cafe, as they await her decision, she responds angrily to a drunk.

After thirty years, Nina decides to return to the seaside town where she grew up to confront the man who changed her life and to whom the town now pays homage. The reunion with her origins, with her memories and with Blas, a childhood friend, will make her question whether revenge is the only way.

In the French Basque Country, near Saint-Jean-les-Bains, young man Julien (Noriega) finds a corpse, buried with jewels, in an abandoned car near a ravine. Julien cannot resist the temptation and takes the jewels with him. He later learned from the press that the man in the car was killed. Maria (Galiena), the boarding lady who accommodates Julien, brings him into contact with a healer. Julien and Maria become lovers, cash in on the loot and flee. It is quite obvious that this does not lead to a happy ending and that the opportunistic amateur thief is confronted with professional criminals. Galiena, in particular, as an Italian hotel keeper, Maria, impresses in a beautiful drama written by Valérie Bonnier, Carlos Perez-Merinero, Luis Maria and Robert Valey.

Galicia, northern Spain, January 2, 1921. The steamship Santa Isabel, sailing towards Argentina with more than two hundred emigrants on board, sinks off the coast of Sálvora Island. Three island women, María, Josefa and Cipriana, who have bravely set sail aboard a fragile skiff to save the shipwrecked, are treated as heroes by the cynical authorities; but León, an inquisitive and tenacious Argentinean journalist, starts asking uncomfortable questions.

Three generations of a dysfunctional family gather at the family home in order to arrange all details for their great-grandfather's "Last Day"