At first glance, the title of Shostakovich’s opera seems to speak for itself: Katherina, neglected and unhappy in her marriage, commits the most heinous crime just like the Shakespearian Lady Macbeth. But Nikolai Leskov’s short novel, which portrays Katherina as a monster, was only the starting point for Shostakovich to elicit understanding for an oppressed woman whose pursuit for self-determination is suppressed by society. Through combining satiric, grotesque and tragic elements in his music, Shostakovich succeeds in striking the balance between repulsion at Katherina’s immoral acts and sympathy for her. Violence, eroticism and the paralysing boredom of Russian society in the 19th century are the founding elements of this composition. The choir and orchestra of the Maggio Musicale Fiorentino conducted by James Conlon accompany tremendous soloists such as Jeanne-Michèle Charbonnet, Vladimir Vaneev and Vsevolod Grivnov in the original language in this live recording.

The main character is Viktor Shtrum, a talented Soviet physicist who refuses to blindly follow his "comrades" by signing false documents and becoming a tool in the hands of an all-powerful state. During the war, Shtrum’s mother, Anna Petrovna, was sent to a concentration camp, but her letters continued to arrive for many years and help him remain more moral than those around him.

A television play based on stories by Alexander Grin. Five sailing ships are blocked in the port of Lissa by an enemy privateer. The captains of four of these ships gather around a hotel table, pondering how to set sail and outsmart the privateer's vigilance...