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Mr. Chu is an elderly widower who teaches tai chi chuan in Beijing. He moves to America to live with his son's family, but finds the cultural adjustment difficult. Since his daughter-in-law is a white woman who does not speak Chinese, Mr. Chu's son, Alex, must mediate.

After working as an undercover in a triad for 8 years, Sheng finally arrests the triad leader and resumes his duties as a police officer. However, life does not return to normal as he is faced with suspicions colleagues and even trailed by the investigations team. One day, he meets some triad members whom he has earlier befriended as an undercover agent and is forced into a corner when asked to collaborate with them once again.


In autumn 2019, at the peak of the anti-extradition law amendment bill movement, Yung and Yin meet on the streets. After the arrest of Yung, Yin finds herself in the awkward situation of visiting Yung’s home for the first time. Meeting the parents, Yin has to skip the usual polite chatter and put away Yung’s items before the court warrant arrives. In this austere and awkward first meeting, they talk about the absent son. The long night drags on as the shocked and worried parents are overwhelmed by the opposing political views, by relationships torn and healed, by their hopes and regrets. When dawn comes, what will become of Yung?

Two bodies are recovered in a reservoir. They are of a married couple who now leaves behind two orphaned young adult children. When Angela, the cop tasked to investigate the deaths, breaks the news to the couple’s daughter Connie, Angela is stunned. Not only does the cool and undeterred Connie already know about the deaths, she claims she’s responsible for them. So begins the mystery, but also the relationship between confessor, whose tragic backstory we learn about in flashbacks, and her investigator, who has parental troubles of her own.

Hong Kong cat III rape-revenge flick

Bumbling mainland crooks mess up a jewelry heist. Two cops serious Ken and jokey Sam investigate but mix up these amateurs with dangerous mainland robbers in the neighborhood.

Inspector Lee and his team look into the mysterious disappearance of a seedy loan shark but find no real leads. Amazingly, the culprits fall into their laps. Four young men, led by Wong Wing-Man, confess to the killing. They were deep in debt and found the murder of their friend to be the only way out. There is one problem, though: no physical evidence.

After his mother flees the family home, a son turns to thieving in order to support his father, an abusive sort who is addicted to gambling.

Call girl Ruby dates men for pay. Arrested, she seeks help from a lawyer client. He advises her to seek letters of mitigation from people with high social status, and to play along with the probation officer. By performing an act of penitence, Ruby may be given a more lenient sentence. The lies she tells the officer, initially mere tales to solicit sympathy, slowly reveal a heartbreaking story of someone let down by adults all her life.

Revolution is pursued for a better love, yet love gets lost in the unpredictable tides of revolution. Veteran actor Lester Chan Chit-Man directs, using the emotions of young people as a thread to connect the Umbrella Movement and the Anti-Extradition Bill protests. When emotions meet politics, social movements and love become intertwined, as four college students drift through their youth. Whispers and embraces, gazes or walking together—the nights in the occupied zones once brought us together. Documentary footage and fictional stories alternate, perhaps evoking memories of the happiness and sorrow of these past years. We thought revolution would ultimately succeed, that it didn’t matter whether we gathered or dispersed. But in the end, we became strangers scattered around the world, only then realizing that regret is inevitable in youth and that looking back always brings a sense of emptiness.

Revolution is pursued for a better love, yet love gets lost in the unpredictable tides of revolution. Veteran actor Lester Chan Chit-Man directs, using the emotions of young people as a thread to connect the Umbrella Movement and the Anti-Extradition Bill protests. When emotions meet politics, social movements and love become intertwined, as four college students drift through their youth. Whispers and embraces, gazes or walking together—the nights in the occupied zones once brought us together. Documentary footage and fictional stories alternate, perhaps evoking memories of the happiness and sorrow of these past years. We thought revolution would ultimately succeed, that it didn’t matter whether we gathered or dispersed. But in the end, we became strangers scattered around the world, only then realizing that regret is inevitable in youth and that looking back always brings a sense of emptiness.

Revolution is pursued for a better love, yet love gets lost in the unpredictable tides of revolution. Veteran actor Lester Chan Chit-Man directs, using the emotions of young people as a thread to connect the Umbrella Movement and the Anti-Extradition Bill protests. When emotions meet politics, social movements and love become intertwined, as four college students drift through their youth. Whispers and embraces, gazes or walking together—the nights in the occupied zones once brought us together. Documentary footage and fictional stories alternate, perhaps evoking memories of the happiness and sorrow of these past years. We thought revolution would ultimately succeed, that it didn’t matter whether we gathered or dispersed. But in the end, we became strangers scattered around the world, only then realizing that regret is inevitable in youth and that looking back always brings a sense of emptiness.
