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Retrospective documentary on the making of the cult classic "Willy Wonka & the Chocolate Factory."
A satirical documentary charting Geoffrey Moore and his daughter Ambra’s journey through Hollywood, as the pair track down celebrities and industry insiders in their bid to find out what it takes to become an Academy Award winner.
A behind the scenes look at the James Bond film "Thunderball".
When eccentric candy man Willy Wonka promises a lifetime supply of sweets and a tour of his chocolate factory to five lucky kids, penniless Charlie Bucket seeks the golden ticket that will make him a winner.
A musical adaptation of Charles Dickens' classic ghost tale starring Albert Finney.
Spies force two British con men to pose as look-alike scientists peddling cheap-energy fusion.
A veterinarian who can communicate with animals travels abroad to search for a giant sea snail.
Out-of-work singer Victoria Grant meets a just-fired, flamboyant gay man in a club in 1920s Paris. He convinces her to pretend to be a man who is a female impersonator in order to get a job. The act is a hit in a local nightclub, but things get complicated when a gangster and nightclub owner from Chicago, King Marchan, falls in love with "him." Filmed live on Broadway, 1995.
A German scholar has girl troubles while studying at Cambridge.
The film follows Jack Hopkins, an aircraft designer with a passion for traction engines. His boss is eager to sell a new supersonic jet plane that Jack has designed to American millionaire Paul Fisher. The first encounter between Fisher and Jack goes badly, and tensions only heighten after Fisher's daughter Kathy damages Jack's prize traction engine "The Iron Maiden", rendering it impossible to drive solo. Jack is desperate to enter the annual Woburn Abbey steam rally with the machine, but his fireman is injured and unable to participate. When all seems lost the millionaire himself is won over by Jack's plight and joins him in driving the engine; the two soon become firm friends.
Human beings define themselves in opposition to both nature and technology. Emission attempts to confound any simplistic analysis of these worn-out dualities. The video comprises eight episodes that are grouped into three acts. The first addresses technology and language. The second implies a breakdown of language and a movement towards being animal. The third envisions a confrontation with our animal nature.
The Anthony Newley/Leslie Bricusse London and Broadway musical hit Stop the World, I Want to Get Off is given literal treatment in this filmization. Newley stars as Littlechap, whose allegorical rise to success is countered by the instability of his private life. Like the play, the film is staged impressionistically, with Newley decked out in mime makeup and periodically stopping the action to address the audience, and with all the women in his life -- German, American and "Typically English" -- played by a single actress (Millicent Martin, taking over from the stage version's Anna Quayle). In Wizard of Oz fashion, the play itself is lensed in color, while the brief prologue, showing the actors preparing for their performance, is in black-and-white. The production includes such standards (and perennial audition pieces) as What Kind of Fool Am I? and Gonna Build a Mountain.
French movie pin up Sophie Hardy is Lisa Milan, a gorgeous Continental film star who's just arrived at Heathrow. She's in London for the premiere of her latest film, but within minutes she's beenw hisked away by her number one fan, Johnny Howjego and his Cockney pals Sammy, Flora and Cabbie Sid.