Eva has just gotten married to an older gentleman, but discovers that he is obsessed with order in his life and doesn't have much room for passion. She becomes despondent and leaves him, returning to her father's house. One day while bathing in the lake, she meets a young man and they fall in love. The husband has become grief stricken at the loss of his young bride, and fate brings him together with the young lover that has taken Eva from him.

In this romance, a banker's daughter suddenly breaks off her engagement on her wedding day. She then meets a man who believes in easy money. He sees her as his meal ticket and the two take off together.

On the plains of Hungary, Franz, a Hussard lieutenant, broods about his future; Born into an aristocratic family, his father drank away the family fortune and marriage seems an unlikely prospect. Impoverished Franz's love for effervescent and upright country girl Marika coincides with the tragic tale of lovelorn violinist Josef, all but ignored by royal beauty Camilla.

Hungary, 1925. A young lieutenant of the Hungarian army Fröhlich falls in love with his captain's sister, Vilma Horn. While his superior agrees to the marriage, the girl's father has other plans, as the family estate is essentially bankrupt and can only be saved by Vilma's marriage to a rich American of Hungarian origin. So the father asks the young lieutenant to break off the engagement, which the young man dutifully does. But Vilma's brother has no idea about the state of affairs and challenges the young lieutenant to a duel for seemingly betraying his sister...

Kernett is a destitute gentleman who tries to kill himself. He is saved by lord Harding who hires him as his personal secretary.

a silent movie by Robert Wiene

"The Secret Power" - Hardly anyone who strays into the emigrant's restaurant "Strange Bird" would suspect that the porter once was a general, the waiter a prince and the cook an admiral, and that the lady at the bar is actually the princess Sinaide forced was leaving their home.

The respected gynecologist Prof. Hausen is averse to performing abortions. In contrast, his up-and-coming colleague Dr. Schäfer sees abortion as a means of helping women in need and openly advocates an amendment of the law. The professor’s convictions are shaken when misfortune befalls his own family. Louise Fleck presents her drama about the untimeliness of restrictive abortion legislation against the backdrop of modern urban reality. Seriousness, however, is preserved, because topics such as unwanted pregnancy, sexual violence, and the consequences of improperly performed abortions are not only addressed through minor characters, but also placed at the center of the cinematic narrative. (Anna Dobringer)