While returning to Leningrad from a visit to his brother, Professor Artyom's car breaks down and he finds assistance at an isolated farmhouse occupied by Alexey, his wife, a Vietnamese laborer, and a stranger who wanders around the farm. When his car is repaired, Artyom leaves, drunk on moonshine, and students Valera and Angelika arrive. After Valera gets drunk, the stranger abducts Angelika.

Most of the action of the film takes place in the studio of a talk show, where a political scientist, a patriot, a pop star and other characters, led by the host, discuss the figure and legacy of St. Sergius of Radonezh. In the midst of recording, the Presenter suddenly finds out that his program is being closed. Having decided that he has nothing to lose, the Presenter goes all in and seeks, first of all, to "expose" the church, the authorities, and his interlocutors... But the effect is not at all what he expected. In the heat of a lively and even furious polemic, we begin to see the true Sergius of Radonezh, and in episodes of history, as in a mirror, we guess the problems of modern Russia.…

The year is 1917. We are in the Russian countryside. It is the middle of freezing winter. A pale young, newly educated doctor arrives. Having to deal with one medical challenge after another he soon becomes the center of everyone's attention. To soothe the impressions of human suffering he turns to morphine.

Is secret cooperation with the government a respectable thing?.. This is the question Nikolay should answer for himself.

Vika is twenty years old. She has black fingernail polish, wears pink dresses, and is constantly depressed. While working at a pizza place, she gets an order for a pizza delivery from Venya, a strange twenty year old boy who lives all alone in a deserted apartment in the middle of Moscow. Venya suffers from agarophobia, the fear of open space. When Vika arrives Venya lets her in and locks the door behind her.

Three short stories – "Irina", "Mitya", "Seryozha" – are three days from the life of a modern business woman, her adult son and her grandson, whose existence the father and grandmother find out only five years after his birth.

The legitimate heir to the throne in exile and the son of a murdered rebel — what do they have in common? Everyone has their own goal: one dreams of taking the throne and restoring his family to its former glory, the other - to take revenge on the murderer of his father, who serves the usurpers. Young men enter into a large-scale struggle for power and honor, in which those who seemed to be friends can betray, and former enemies can turn into allies. In order to achieve the goal, both the prince and the rebel's son will have to risk the most valuable and make the main choice in their lives — to go the preordained way or to oppose fate itself.

The film is an attempt to recreate the world of Marc Chagall and his myth within the genre of a folklore ballad. We are not exploiting Chagall's images, but are attempting to create a dramatized projection of his creativity onto the movie screen, relying on both, facts and fantasy (as Chagall himself would).The story is based on real events which occurred at the time of Chagall's short-lived period in Vitebskin in 1917-18, during which time he creates the Academy of Modern Art, inspired by his dreams of a bright and beautiful future. Many pictures by Chagall and Malevich are used in the film.

Sex, alcohol and violence define the people of a city in defeat in this downbeat drama from writer and director Katya Shagalova. As a teenager, Nastia (Yulia Peresild) was the star of a popular television series, but now her career is in decline and her father, an officer in the Russian army, has kicked her out of the house.