Feature film based on Leon de Winter's book of the same name, in which protagonist Herman Dürer hitchhike south after a stay in a juvenile detention center and ends up stranded in Munich.

Three washed-up actors must deliver the most convincing performances of their lives as part of a dangerous plot designed to finance their triumphant comeback.

Three washed-up actors must deliver the most convincing performances of their lives as part of a dangerous plot designed to finance their triumphant comeback.

Three washed-up actors must deliver the most convincing performances of their lives as part of a dangerous plot designed to finance their triumphant comeback.

After his wife Marjan has died in a car crash, Philip de Wit becomes a total wreck. Only after months does he return to a more or less normal life and even then he only works in his wife's bookstore. A year later Eileen walks in the store, a girl from Northern Ireland with her baby in her arms. When Philip sees her, he's dumbfounded, for she's the spitting image of his dead wife. Obsessed with her, he goes and tries to find her again, but he soon finds out that he's not the only one who's looking for Eileen.

After his wife Marjan has died in a car crash, Philip de Wit becomes a total wreck. Only after months does he return to a more or less normal life and even then he only works in his wife's bookstore. A year later Eileen walks in the store, a girl from Northern Ireland with her baby in her arms. When Philip sees her, he's dumbfounded, for she's the spitting image of his dead wife. Obsessed with her, he goes and tries to find her again, but he soon finds out that he's not the only one who's looking for Eileen.

After his wife Marjan has died in a car crash, Philip de Wit becomes a total wreck. Only after months does he return to a more or less normal life and even then he only works in his wife's bookstore. A year later Eileen walks in the store, a girl from Northern Ireland with her baby in her arms. When Philip sees her, he's dumbfounded, for she's the spitting image of his dead wife. Obsessed with her, he goes and tries to find her again, but he soon finds out that he's not the only one who's looking for Eileen.

A young sailor learns that his friend has died of a heroin overdose. He watches the 8mm films he has made of his friend and discovers that he keeps the world at a distance from behind his camera.

A philandering husband unknowingly falls back in love with his wife over the phone when she pretends to be another woman.

Director Leon de Winter has taken a thriller with political and psychological overtones, and scrambled it into a series of vignettes that are mixed-up in time and in location, thereby dashing any hope of following the story. A journalist goes to a southern European country to interview a well-known terrorist who has refused to stop his activities even though the revolution he fought for ended successfully five years earlier. Questions are raised about adopting violence as a way of life without at first realizing it and about the seeming impossibility of raising the consciousness of backwater cultures. Perhaps because of the way the story has been filleted into fragments, characters like the journalist and terrorist do not have enough continuous screen time to build up their individuality, a second factor that makes it difficult to become involved in the drama.