A bachelor named Faun with a Don Juan complex, seized with a hypochondriac's fear of the ineluctable approach of death, enters a race against time's passage. Faun's sexual love is imbued with the narcissistic vanity of a self-satisfied bacchant who even towards old age can't manage to forgo his lifelong pose as an irresistable seducer of women. He desperately searches for meaning in superficial, fleeting sex.

Engineer Jan Sebek (Jan Kacer) is undergoing treatment in a mental home after his unsuccessful attempt to commit suicide. His therapist, via discussions both with the patient and with people who know him, tries to find out what made the young and seemingly satisfied man decide to end his own life. Jan's pretty wife Jana (Jana Brejchová) claims not to know about anything but she is conducting an affair with a family friend, almost publicly and with the blessing of her parents.

In the Hussite times, religious truth was sifted even on the tips of weapons. When in 1430 the Hussites set out on a raid to Nuremberg, the so-called Spanila Cavalry, to defend their doctrine, the young commander of the cavalry, the landowner Keřský, whose bride had once been kidnapped by a vicious crusader, saw it as an opportunity for personal revenge. Although Oldřich Daněk has tried to establish a distinctive interpretation of historical events, he reflects on where the blinded desire to punish a bad deed with further cruelty leads, but his version seems too thesis-like and lifeless, it does not rise above the descriptively illustrated scenes from old Czech chronicles...

More than twenty years after the Second World War, a mining engineer named Fischer is revealed as a former member of the Gestapo, Karel Kraus. He is sentenced for murder to eight years in prison and now works with other prisoners on the renovation of the Convent of St Agnes of Bohemia in Prague. Then a car with a foreign registration begins to park regularly close to the construction site. Its crew, a man and a woman, contact the construction foreman, who probably would not reject a bribe offer to perform some service. The prisoner Bicík is appointed to work with Kraus; Bicík gives him a message from Kraus' brother Bert, who lives abroad, that he wants to help him escape.

A commemorative and essayistic meditative piece on the Prague quarter Libeň during the 1950s.

A naive village girl, Valentýna, arrives in Prague and, under dramatic circumstances, becomes reluctantly entangled in the Karlín underworld as a novice prostitute controlled by the slimy gangster Pavouk and his bumbling henchman Milan. She repeatedly refuses the genuine support offered by the incorruptible mounted policeman Viktor Sokol, even as two eccentric observers serve as a choric commentary on the absurdities around them. Through parodic and poetic scenes, ranging from western-inspired mounted police sequences to a surreal “war” over exporting plastic gnomes, the film satirizes contemporary Czech society.