Bernard Bottle, a mild mannered art buyer, is fired by his greedy boss, abandoned by his girlfriend and discovers a genie in an old bottle. The genie immediately embraces the modern world and helps Bernard on the side.

Forlorn heiress Penelope Wilhern is cursed, and the only way out is to fall in love with someone of suitable stock. But how can she find her soulmate when she's sequestered inside her family's estate with only her parents to keep her company? This untraditional fairy tale is about a girl who bucks convention to create her own happy ending.

Comedian Rik Mayall died suddenly on 9 June 2014. Mayall's blend of rocket-fuelled physical comedy, surrealism, subversive satire and pompous punk wit left a body of work that spanned four decades. Mayall's characters include the Black Country's investigative nerd Kevin Turvey, Felicity Kendal-adoring student and 'People's Poet' Rik in The Young Ones, ruthless MP Alan B'Stard in The New Statesman, seedy loser Richie in Bottom and larger-than-life characters Robin Hood and flying ace Lord Flashheart from Blackadder. Narrated by Simon Callow, this programme salutes Rik Mayall and celebrates his part in the UK's comedy history using rare and unseen archive footage. It also features contributions from people who knew or admired him, including Michael Palin, Simon Pegg, Lenny Henry, Ben Elton, Alexei Sayle, Christopher Ryan, Tim McInnerny, Jools Holland, Ruby Wax and Greg Davies.

The Secret Policeman benefit shows for Amnesty International brought together comedy grand masters - from Python and Beyond the Fringe - and performers then relatively unknown, like Rowan Atkinson. Narrated by Dawn French, the programme includes interviews with many of the comedians and musicians who took part: John Cleese, Stephen Fry, Michael Palin, Sting, Lenny Henry and many more. The shows and their stars had a huge effect on modern British comedy. There are few comics today whose careers have not been heavily influenced by the anarchic and surreal humour of these events.

The enthusiastic Pirate Captain, along with his rag-tag crew, sets out to beat his bitter rivals. The chaotic adventure takes them from exotic shores to Victorian London, and from a haplessly smitten scientist to a diabolical queen.

In order to escape from the mob, an African-American man must disguise himself as a white man.

When the British Amnesty shows finally resumed in 1987 after a six-year hiatus, the show format was retooled in an effort to take advantage of the growing number of rock musicians supporting Amnesty. Instead of the live show being primarily a comedy show with a few musical cameos, the event made a point of giving equal emphasis to the comedy and the music.

After the criticisms of the 1987 show’s disproportionate focus on music - and the financial disaster of its music-only Festival Of Youth weekend concert in 1988, Amnesty returned to the original formula that had been so successful in the 1976-1981 era with a primary focus on comedy. Pat Duffy was dropped from organising any further benefit events for Amnesty and for the 1989 show, Amnesty hired producer Judith Holder.

A woman traumatized by her brother's suicide is inducted into a world of games involving murder.

A fund-raising event organised by Comic Relief.