Karla, a strong, sensual and experienced woman, learns that she has terminal cancer. She only has a few months left. After a wild life as a photographer of music bands, full of touring, joints and rock 'n' roll, the woman in her mid-sixties has no desire for sentimentality. She wants to be left alone with her fate and plans a dignified exit. She refuses the help of voluntary euthanasia assistant Fred, a single-parent traffic planner who always means well. But Fred's son Phil, a shy teenager with a great sense of poetry, manages to get in touch with the terminally ill artist. He is allowed to archive their concert photos for posterity - and in the process gets to know the funky student Rona. As Fred, Phil and Karla open up to each other, a wonderful friendship develops. While father and son initially believed that they would accompany Karla when she died, the opposite suddenly happened: they both learned to live from her

When his grandmother Ella becomes increasingly confused and his grandfather Sönke simply doesn't want to part with his pub, the Dorfkrug, 47-year-old Ingwer Feddersen sees the time has come to return to his home village Brinkebüll. The village tavern isn't what it used to be - but that's also true for the whole village. Ingwer wonders when exactly was the point in time when the village of Brinkebüll went downhill? Was it in the 1970s when the hedges disappeared after the land consolidation and then the birds too? When larger and larger farms were built so that smaller ones had to give way? Is it perhaps his fault because he left his grandfather alone with gastronomy to study in Kiel? Based on Dörte Hansen's 2018 novel of the same name.