A satirical drama revealing the consequences of the Danish government's "New Copenhagen Criteria", a new policy aiming at securing the nation's survival. Citizens who fail to meet the criteria – those who have received more from society than what they have contributed – are eliminated.

Susanne is going to the countryside to visit Ditmar. Ditmar has been abroad for over a year, and in the meantime, Susanne has given birth to Lulu without Ditmar's knowledge. Susanne's good friend and nanny, Andreas, accompanies her to the estate. Andreas and Lulu are assumed to be the butler and his daughter. Andreas agrees to the idea so that he can keep an eye on Susanne. However, Andreas falls in love with the daughter of the house, who believes he has a wife. At the same time, Susanne tries to tell Ditmar that Lulu is their child.

The life and times of the Scandinavian artists' colony who lived in Skagen on the Danish coast during the 1890s. Not so much a biographical account, rather a portrait of a way of life. The painters became famous for the way they used the light in their work, and this has also been mirrored in the cinematography.

Poul is a struggling magician looking for just the right trick to take him to the big time. To get the money to acquire 'The Sawed-in-Half Lady' from Frankfurt he makes a deal with Arne, a shifty insurance agent. Using his magic skills, Poul pretends to be a clairvoyant exorcist, while Arne supplies the clients. Then Poul meets Lærke, the owner of the 'Spiritual Universe' store, and he realises there really is more between heaven and earth and that a whole woman is better than two half ones.

Lars lives a life dedicated to his disabled mother and his job at a petrol station. One day the girl he is secretly in love with, Julie, faints at his feet. Julie recovers but suffers from an acute psychosis confusing Lars with her deceased boyfriend Søren. Lars decides to take on Søren's identity and keep Julie locked in her psychosis. This is his chance of a lifetime, to experience love.

Set in Copenhagen in 1964, a personal drama evolves as a young film director tries to make a film about aging film star Asta Nielsen.

In a dystopian future, Denmark's lower classes must live as nomads—living in vans, always on the move, endlessly driving on a system of ring roads. Although they try to maintain a certain degree of humanity in their daily lives, there is no room for emotion or compassion among the wanderers.

Based on a true story the film tells the story of Svend who fights to save his elderly parents' marriage even though it has made his life almost unbearable. When he meets Lizzie he discovers how big a part of his family's hatred and jealousy he himself is. The only thing left is the ultimate break off, or the ultimate forgiveness.

One Saturday evening, Trine prepares dinner for her boyfriend Hans. Unfortunately, Hans is delayed, as on his way between Frihavnen and Valby, he encounters a series of individuals whom he feels compelled to wait for in various ways. Back at the club apartment, Trine decides to transform the romantic dinner into a kitchen party for her friends.