Acting
Leila Zare (Persian : لیلا زارع ) is an Iranian actress born on October 13, 1980 in Tehran, Iran.
A short film by Baktash Abtin
Anyone can be against. This counter can be the removal of a person or a nation.
Story of a young lawyer in Tehran in search of a visa to leave the country, which is what Mohammad Rasoulof did during the winter of 2010/11.
In Iran, gender-affirming surgery is legal, though it carries with it great stigma, and is usually performed so that a gay couple may lead a heteronormal life. In this one-of-a-kind film, shot in secret in Iran, a father and husband finds his fragile world endangered when a man from his past appears claiming to be his daughter's true father. He never knew his wife was pregnant when she sought a divorce, and now she's nowhere to be seen.
It tells the story of a social and enigmatic story chronicles the hardships of the 1960s and 1990s and points to a misconception that has overshadowed family life for decades.
The Annoyed about three directors trying to make a film about social problems of violence and abuse against women and executions.
Jamshid, the son of Abbas Sakhai, has been living abroad for a number of years. He sends a message for his family who then decide to make a film depicting their lives and send it to Jamshid. Omid, the younger son of the family, rents a video camera and records images of members of the family as they talk directly into the camera.
An arrogant movie star's life drastically changes when a teenage girl shows up.
Farhad, a respected math teacher, is engaged to the mother of one of his pupils. But rather than embrace his new father figure, the angry young student spends his days riding around Tehran on a motorcycle with his rebellious friend, refusing to study—or even sit—for his big final exam.
A non-traditional wife and mother, Azar (Karimi) is first seen racing her dirt bike over a hilly track while her husband Amir (Azarang) and young daughter cheer her on. Co-equal with her liberal-minded husband in marriage and in their fledgling business venture, a café with a thriving carryout trade, she is forced to meet an unequal challenge in which the strict pecking order of a family dominated by misogynist uncle, a business loan with strings attached, a black sheep son with a hidden agenda, and a tragic accident add up to a scenario in which Azar is targeted as the unwilling sacrificial victim. (Gene Siskel Film Center)