A man tries to capture her by making a film. She travels through different countries and time zones, telling her life and thoughts. But the closer he tries to get to her, the further away he finds her, and he ends up with a film of his “Her” but not her.

During his period working in Taiwan, Christopher Doyle made this experimental short film documenting the families of friends around him. This film received an Honorable Mention at the 4th Golden Harvest Awards (1981).

Early collaboration between Chang Chan-tang and Christopher Doyle documenting the friendship of their inner circle in Taiwan during the early 80s.

“Journey into the Mine” (礦之旅) is a 1981 documentary directed by Chang Chao-Tang (張照堂). Part of the “Journey Through Images” series (映象之旅), it documents the Ruìsān Coal Mine (瑞三煤礦) in Houtong, Ruifang (瑞芳侯硐). Using a portable ENG camera, the crew descended 600 meters underground to record miners working amid heat, coal dust, and gas hazards. Rejecting elite-centered television perspectives, the film foregrounds the resilience of working-class laborers. Its essayistic voice-over is paired with ECM jazz and blues, creating a distinctive tone. In 1982, it won the Golden Bell Award (金鐘獎) for Best Educational and Cultural Program. A rebroadcast added footage of the Neihu Futian Coal Mine disaster (內湖福田煤礦災變), producing a stark dialogue between policy narrative and industrial tragedy. Its footage was later used in Hou Hsiao-hsien’s 1986 film Dust in the Wind”(戀戀風塵).

This landmark 1981–82 documentary series consists of weekly 25-minute episodes filmed across Taiwan using an ENG (Electronic News Gathering) camera. It documents local customs and social textures through a distinctly humanistic lens. The project also marks an early collaboration between Christopher Doyle and Chang Chao-Tang.

This landmark 1981–82 documentary series consists of weekly 25-minute episodes filmed across Taiwan using an ENG (Electronic News Gathering) camera. It documents local customs and social textures through a distinctly humanistic lens. The project also marks an early collaboration between Christopher Doyle and Chang Chao-Tang.

This landmark 1981–82 documentary series consists of weekly 25-minute episodes filmed across Taiwan using an ENG (Electronic News Gathering) camera. It documents local customs and social textures through a distinctly humanistic lens. The project also marks an early collaboration between Christopher Doyle and Chang Chao-Tang.

This landmark 1981–82 documentary series consists of weekly 25-minute episodes filmed across Taiwan using an ENG (Electronic News Gathering) camera. It documents local customs and social textures through a distinctly humanistic lens. The project also marks an early collaboration between Christopher Doyle and Chang Chao-Tang.