Lee Wai Shing’s short film focuses on family in response to Huang Canran’s poem ‘So Close’, narrating a son’s journey to visit his mother in North Point

Poetry on Film is a moving image commissioning project for young and emerging Hong Kong filmmakers, motivated by the belief that poetry possesses an inherent cinematic quality. Its rhythmic cadence, vivid imagery, and emotional depth offer a rich tapestry for filmmakers to weave their visual narratives. Animator STEP C., narrative filmmaker Chu Hoi Ying, analogue film artist Jolene Mok, and documentarian Lee Wai Shing were asked to choose a contemporary Chinese-language poem written by a local writer, then visualise it using their personal cinematic language. The resulting shorts showcase the diversity of Hong Kong moving image practice, with unique approaches to medium, storytelling, cinematography, and sound.

The Implementation of the new security law in 2020 marked a major historical shift for the people of Hong Kong. This 2-year process brought on the reality which was not expected to have materialized until 2046. This harsh, unexpected acceleration fueled feelings of anxiety and distress. The fear of prosecution mixed with the impulse for self-censorship, the desire to leave wrestled with a sense of loss. Room 404 is an essayistic response to the documentary Room 525 shot by the same artists during the art residency in Hong Kong back in 2019 while the social unrest was growing.

The Implementation of the new security law in 2020 marked a major historical shift for the people of Hong Kong. This 2-year process brought on the reality which was not expected to have materialized until 2046. This harsh, unexpected acceleration fueled feelings of anxiety and distress. The fear of prosecution mixed with the impulse for self-censorship, the desire to leave wrestled with a sense of loss. Room 404 is an essayistic response to the documentary Room 525 shot by the same artists during the art residency in Hong Kong back in 2019 while the social unrest was growing.

This film captures some changing moments that took place in Hong Kong between 2018 and 2021. The changes in the landscape of our city are also a portrayal of the author's inner heart - cold rain, hot fire, and continuous loneliness.

310 Tung Chau Street is a tenement building in Sham Shui Po. Three Vietnamese from the same province share a subdivided flat. Unemployment, drug addiction, and arguments brew and breed incessantly in this heated environment. During filming, the two young directors were encumbered by a series of obstacles, which turned the process into a chance to reflect on documentary truth.

310 Tung Chau Street is a tenement building in Sham Shui Po. Three Vietnamese from the same province share a subdivided flat. Unemployment, drug addiction, and arguments brew and breed incessantly in this heated environment. During filming, the two young directors were encumbered by a series of obstacles, which turned the process into a chance to reflect on documentary truth.

310 Tung Chau Street is a tenement building in Sham Shui Po. Three Vietnamese from the same province share a subdivided flat. Unemployment, drug addiction, and arguments brew and breed incessantly in this heated environment. During filming, the two young directors were encumbered by a series of obstacles, which turned the process into a chance to reflect on documentary truth.

Via Dolorosa captures director’s journey in reconnecting with Vietnamese homeless persons whom she filmed for another short film two years ago. While she accompanied a man in his final days, Jo searched within herself to resolve the original sin of the documentary filmmaker as a bystander to the suffering of others.

"5 cops only in Sham Shui Po tonight!" PC46700 said. In the deep of the night, a police officer was dispatched to an old building where he found a Vietnamese drug addict in a partitioned room. His investigation was inexplicably filmed by a would-be documentarian, which led to a conversation with the police constable recollecting his early days and involvement with the Vietnamese refugees more than twenty years ago. An apparently unrelated group of people had this unexpected encounter when the majority of the police force gathered at Mongkok during the Umbrella Movement.