Driver Ko Wah (Lee Ching) refuses to transport ammunitions for the enemy, and is sent to jail after a scuffle with his traitorous boss. Although down and out, Ko takes in Siu-fung (Yung Siu-yi), an unwilling erotic dancer who has fled the war to Hong Kong. They may lead destitute lives, but their conscience remains intact. Director Cai Chusheng co-founded the National Salvation Association of Cinema. When Ko makes a uproar at the dance parlour and rips apart his friend's zombie costume, it represents Cai's criticism on the muddling-along attitude of Hong Kong society at the time. The characters' decision to return to the mainland to join the resistance effort also foretells Cai's decision to do the same in real-life.

Reporter Yu Mong-yuen is recovering from a leg injury in his fiancee Man-wah's apartment. Bored, he looks out the rear window and observes the life of the neighbouring building. Among the tenants are a sugar-daddy and his mistress, a middle-aged man wants to marry a young girl, but she is in love with his son. Finally, she hatches a plot and makes the man agree to her marrying his son ; a sly fortune-teller ; a lively gym, a rich widow quarrels with the trainer of a gymnasium because his dog has bitten her cat ; and an opera school, a woman signs, leaning on the balcony, and a man tries to strangle her. In fact they are rehearsing an opera…… One evening, Wah is on the night shift, and Yuen watches the opera troupe rehearse to the end. Under the influence of drugs, Yu mistakenly believes that a divorced man has murdered a taxi dancer. He alerts the police, but the whole thing is nothing more than a misunderstanding.

During the anti-Japanese war, truck driver Lee Sing's secret mission is to transport weapons and supplies for the resistance fighters. Sing has to deliver a signal gun to guerrillas at ten on that night for launching an attack against the Japanese soldiers. He works for the Ko's family and he has to send the gun to the provincial city to prevent it from being bombed. Sing carries on his vehicle a group of passengers including a Chinese traitor, a guerilla, a compassionate nurse, a comfort woman on the run, a teacher and his pregnant wife. Sing is given a hard time by the Japanese troops on the road. The Japanese ransack the vehicle and they find the signal gun. All the males on board are being interrogated with torture, but the passengers pool their efforts to subdue the traitor and accomplish their mission.

The Pretty Tigress

HK horror film.

A love triangle between a wrongfully accused fugitive, a judge's daughter, and her cousin.

Wang Lewu is over 35 but never had any successful romance relationships, his friends and relatives tried to introduce single females to him but none worked out in the end. Until one day, his mother introduced a young lady, Li Meijuan to him...

This Movie is in Chinese without subtitles so it's hard to give a full description. Famous for being a film from 1959 with a scene depicting hopping vampires.

Though her marriage with rich businessman Chan Hak-lit is crumbling, Anna Poon refuses to accept her childhood sweetheart Wong Kei-shu's courtship. Anna's younger sister Mei-na has a crush on Shu and treats Lee Man coldly. When she sees Anna being with Shu, she taunts Anna with stealing who she likes. Anna is hurt and goes back to Chan's house. Chan holds a house party and invites business celebrities. Shu attends it and when tells Anna he loves her when they dance. Anna rejects him and tells him never to see her again. Chan goes to the racecourse. When Shu falls down from a horse, Anna faints. Chan asks Anna what her relationship with Shu is. He warns her not to have any wrongdoing and ruin his reputation. Shu is fine and asks Anna to meet for the last time. Anna cannot turn down him and goes to meets him. Lit miscomprehends the situation and files a divorce. He even forbids Anna to see their daughter. A distressed Anna becomes a victim of love in a conservative society.

Set during the Orphan Island period of Shanghai, the film follows a group of revolutionary patriots-cum-assassins who finally earn the support of the suffering public. ‘We’re all Chinese,’ so they repeatedly chant.