
Acting
No biography available.

The day that the financial clerk Metodi Rashkov is getting retired comes. He is a shy and quiet man and he accepts all tasks given to him by his son and daughter in law without argument. With time, he becomes a housekeeper; he shops, cooks and looks after his grandson. In order to save his face in front of his friends he lies to them and falls in a number of uncomfortable situations. The "Expolsion" becomes imminent. The reason is insignificant but with great consequences. Rashkov leaves his home. Soon the freedom which he wanted becomes boring for him. The abandoned family begins to miss the grandfather. At the end everyone sees their mistakes and is ready to fix them. The birth of a second grandson is the event which brings everyone under the same roof again.

A middle-aged man makes every effort to provide for more or less decent life for his family. He is a driver who carries vegetables and fruits. He spends reasonable to save for his family and especially for his kid. Everything is all right until the day when the boy finds out that the part of the money have been made in indecent way. This revelation provokes a serious conflict in the family and the boy deserts his home. The man makes an attempt to put an end to his shady deals, but it turns out to be impossible. His 'employers' display exorbitant aggressiveness.

This is a film about old fashioned Bulgarian customs and moral rules. A pre-arranged marriage of two children is no obstacle to true love.

Nurse Nikolova takes care of the elderly. She faces various human destinies. Her patients spend the rest of their lives alone. They seek from her what they have not received from their own children. They love her. Nurse Nikolova touches on the complex problems of human existence.

The seven women inmates in Poslednata Duma are imprisoned because they have been associated with partisans opposing the fascist puppet government of the German Nazis. Each of them has the power to save herself if she will betray the others, and each bravely refuses to do so, even though it means they all will die. Despite their grim situation, and the atrocities perpetuated on them as political prisoners, they manage to laugh, and even celebrate a festival.
The 12-year-old Aneta and Boy feel that there is something like a first love between them. The kids are traveling to the countryside together. They get to two of Aneta's grandparents - one of her grandmothers was married three times. Aneta's favorite grandfather is her grandmother's third husband. He is not her real grandfather, but she loves him because he likes to fantasize. He taught Aneta a magic game - to light a match and imagine anything in flame. Her favorite grandfather dies. Aneta mourns him for a long time, lights matches but no use.

Violetta is a ballerina in a provincial town. She is the daughter of an opera singer and a violinist. The years pass in anticipation of the big role, and the men she meets do not understand her and she remains alone. When the chance finally comes - to play the role of Odette, Violetta realises she has failed.

In a small provincial town, an young local artist exhibits his works. One of the paintings, depicting a fairy dance of naked women, provoke the people which discover similarities with a certain lady from the neighbourhood.

The tale of a stable of traveling Bulgarian actors at the turn of the century, with their newest recruit, a schoolteacher who has taken the understudy role of Desdemona in a performance of Shakespeare's "Othello", learning about her team and the passion they all share for theatre and the performing arts.

Bay Ganyo is the national anti-hero. He personifies arrogance, insolence, greediness, and the absolute incapability to adopt any civilization principles of relationships. This protagonist was featured by great Bulgarian writer Aleko Konstantinov in the end of 19 c., both with an incredible sense of humor and anguish. Whether being in the Wiener Opera, or visiting a famous scientist at his home, or shopping, or just walking down the streets, this Bulgarian character, Bay Ganyo, is no more than a hopeless barbarian. The film makes new interpretation of this classical literature work. The comic adventures of Baj Ganjo are reconstructed in retro-nostalgic tonality. The final episode when the protagonist appears on the stage of the Wiener Opera among the singers participating in a Mozart's opera is the culmination of the transition of the farce into a tragic comedy.
