Directing
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An agoraphobic musician, locked up in his home, begins to live with a shadow cast on his wall; a shadow that has a life of its own. Meanwhile, between jobs, music, scripts, gymnasts and volleyball matches, the musician’s friends go on with their lives during the beginning of autumn in Buenos Aires.
The Vote is a portrait of the time. The national filmography has vast examples of how politics is conceived (and filmed is overdetermined) as a ladder to obtain positions of power by power itself, as a shortcut in a personal career. We wanted to say that politics is, above all, a tool for transformation, for profound change.
Not much seems to happen in this gallery on Cabildo avenue, but when all the businesses have already closed, two girls stay inside and come up with a small vandalism project that saves their day.
It seems that everything is over between Lara and Elías. He keeps sending her letters - we don't know if he sends them - and mulling over the matter. Meanwhile, he continues with his life, with a strange obsession that can become a bit dangerous.
Pablo and Florencia work on Florida Street, the economic and tourist epicentre of Buenos Aires. Economic difficulties affect their life together. Pablo, in order to survive, begins to clandestinely smuggle dollars in the street. Taking advantage of the imminence of a currency crisis they will try to strike the blow that will take them out from the street once and for all.
José Celestino Campusano is preparing a new film. To do so, he summons a group of men including Vikingo, his usual actor. The four of them reflect on their origins, violence and cinema.