
Acting
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A woman recounts the last night on earth of a 100-year-old man who fights for the redemption of the misdeeds of his life.

An Argentine theater company sets off on a tour of various towns in France, performing Anton Chekhov's The Seagull, directed by Daniel Veronese. The actor who plays Treplev—the writer in love with Nina—and Perroud, a young film director, record this trip. What begins as a travelogue transforms into a duel of viewpoints: that of Perroud's camera versus that of "the Actor who plays Treplev."


The true story of four men who narrowly escaped death at the hands of Argentina's military death squads in 1977. Claudio Tamburrini is a goalie for a minor-league football team when he is abducted by members of the Argentine military police and taken to an unofficial detention center on the false suspicion that he is a terrorist. As he is tortured by intelligence agents looking for information he doesn't have, Tamburrini fully expects to be killed. After many sessions of brutal torture, Tamburrini and his fellow captives Guillermo and Tano are being readied for execution when, in a final desperate act, Tamburrini dives out a window during a rainstorm.

An actor returns to Moisés Ville, the first Jewish colony installed in Argentina

In a country that has been broken down and corupted by poverty, Pablo and Mario are best friends and local thieves. Although they come from very different backgrounds, they help each other out by commiting petty crimes that help Pablo support his family and Mario become independent from his own. In a twist of fate, they become involved in a kidnapping that goes sour. This tragedy triggers and unmasks a series of events that changes their lives forever. Now the two friends will be tested and their lives taken to the limit.

The failed story of a love triangle in a post-apocalyptic world.

After twenty years in Buenos Aires, Clara returns with her husband and daughter to Tierra del Fuego, where she meets her father, with whom she is at odds. Shortly after arriving, she realizes that a pack of dogs is sowing terror.

A man sets out to gather traces of what impressed him in his life. Over the years, he accumulates voices, music, images from distant countries, historical moments, and loved ones. Some of them are found objects, others he has made himself. At some point, he realizes that this labyrinth of fragments traces the image of his face.

Angel is one of those typical macho’s who does not hold women in high regard. With his fancy talk, his tight suit and his fashionable job as a director of publicity spots, he has ample opportunity to grab as many young aspiring actresses by the pussy as he can. His wife and kid are left to deal with the consequences. This is now drastically coming to an end. One night, when there’s once again not enough blood flowing through his brains and too much through his nether regions, he walks into a trap set up by a circle of Celtic Goddesses. They transform him into a zombie and make him a pawn in their plan to end male dominance one and for all. Luckily Angel’s not alone. He’s part of a brotherhood of undead macho’s. They do not only exchange tips in how to mask their increasingly penetrating body odor, they also come up with a plan to sabotage the Goddesses.

An Argentine theater company sets off on a tour of various towns in France, performing Anton Chekhov's The Seagull, directed by Daniel Veronese. The actor who plays Treplev—the writer in love with Nina—and Perroud, a young film director, record this trip. What begins as a travelogue transforms into a duel of viewpoints: that of Perroud's camera versus that of "the Actor who plays Treplev."

An Argentine theater company sets off on a tour of various towns in France, performing Anton Chekhov's The Seagull, directed by Daniel Veronese. The actor who plays Treplev—the writer in love with Nina—and Perroud, a young film director, record this trip. What begins as a travelogue transforms into a duel of viewpoints: that of Perroud's camera versus that of "the Actor who plays Treplev."

An Argentine theater company sets off on a tour of various towns in France, performing Anton Chekhov's The Seagull, directed by Daniel Veronese. The actor who plays Treplev—the writer in love with Nina—and Perroud, a young film director, record this trip. What begins as a travelogue transforms into a duel of viewpoints: that of Perroud's camera versus that of "the Actor who plays Treplev."

An Argentine theater company sets off on a tour of various towns in France, performing Anton Chekhov's The Seagull, directed by Daniel Veronese. The actor who plays Treplev—the writer in love with Nina—and Perroud, a young film director, record this trip. What begins as a travelogue transforms into a duel of viewpoints: that of Perroud's camera versus that of "the Actor who plays Treplev."

An Argentine theater company sets off on a tour of various towns in France, performing Anton Chekhov's The Seagull, directed by Daniel Veronese. The actor who plays Treplev—the writer in love with Nina—and Perroud, a young film director, record this trip. What begins as a travelogue transforms into a duel of viewpoints: that of Perroud's camera versus that of "the Actor who plays Treplev."
