After getting out of prison, a Latino criminal tries to go straight.

The Eames design philosophy presented in the form of a series of questions posed by a curator at the Louvre and answered by Charles Eames.

Created as a demonstration of multi-disciplinary thinking, this film was produced in association with UCLA Mathematics professor, Ray Redheffer. With the exclusive use of storytelling through animation this lively and exuberant presentation of the “architecture of algebra,” the film explains the behavior of specific exponents and concludes with the general laws that all exponential expressions obey – all achieved without the use of narration. Council on International Non-Theatrical Events (C.I.N.E.) Gold Eagle Award, 1975. Columbus International Film Festival Bronze Chris Plaque Award-C, 1975. New York International Animation Festival Bronze Praexinoscope Award, 1975. Melbourne Film Festival Selected for Participation, 1976.

Animated graphic symbols presented in a constant time frame are used to diagram and explain the laws of planetary motion devised by the Sixteenth-century astronomer Johannes Kepler. “Little Suite”, guitar and lute music composed by Galileo Galilei’s father Vincenzo, is performed by Laurindo Almeida

The tuna clipper Star-Kist prepares to leave San Diego on a four-month voyage under skipper Joachim Qualen. Many of the crew of twelve are of Portuguese descent and have reenlisted for this trip.

A firefighter is sent to Venezuela to battle a blazing oil well but still finds time for romance.

The famous lover Jean Navarro arrives at the castle of a marquis. This is a vulgar bon vivant who has been married to the young Chantelle for a short time. At lunch the Marquis falls asleep and Chantelle goes into the garden with Jean, shows him the roses, the stables and the summer house and shortly afterwards confesses her love to him. Jean asks her to do three things as proof of her affection: the tail feathers of her husband's favorite bird, the marquis's whiskers and one of his teeth.

Cowboy is a 1966 American short documentary film directed by Michael Ahnemann and produced by Ahnemann and Gary Schlosser. At a ranch in Tehachapi, California, a husband and father lives the life of a modern cowboy. The film was nominated for an Academy Award for Best Documentary Short.

A portrayal of the Mexican Day of the Dead consisting of still shots and narration. Deals with the special objects and events surrounding the annual Mexican celebration of “All Souls Day”. It is not only a rich flood of folk art, but a view of the way that the Mexicans have come to terms with death. Searched out with the help of Alexander Girard and a moving guitar score by Laurindo Almeida.

Desmond plays convict Mike Gilbert, who goes on the lam with fellow prisoners Gruber and Graham when he finds out his wife is divorcing him and feels he has nothing to lose. Gruber intends to get his robbery loot, which his father, Curly, has successfully hidden from the law. After commandeering a plane, they double-cross Graham, who assembles his gang to get revenge - and Gruber's loot. Meanwhile, Gilbert falls in love with Robbie, his ex-wife’s sister. Through Robbie’s influence, Gilbert decides to go straight, but his cohorts aren’t quite so willing to reform.