A narrative self-discovery theme done in real time in Art Nouveau style.

An individual finds that the world that intrudes upon his personal life cannot be escaped, and he turns to the next generation.

One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/documentary collage that confronts history, time, cultural memory and mythology on the site of one of World War II’s most devastating battles.

The film choreographically covers the distance between two women and their mirroring selves, under Laurie Spiegel's soundscape and with the ambiance of VHS video. Their bodies, sometimes two and others four, are always connected with a rope, influenced by white noise retro interference, sound scratches and pauses. They approach each other until they connect and then finally completely disappear, nullifying the distance between them. The reverse movement of these similar bodies-idols aims to compose a dance of the two and the one, our close and more distant self and to reach to the void in between them.

At a newsstand, two women file divorce papers so that one of them can start a new chapter in her life, free of fear and violence.

On a summer break, Mia and her friends try a meditation app that’s somehow related to the operating system of the Tallinn Zoo, changing the body chemistry of its users into something between pollen and cosmic dust. Mia will need to choose between saving her friends or joining them.