Overwhelmed when a figure from her past reemerges, Joan Verra retreats to the countryside with her son Nathan. There she experiences fragmented recollections of her past romantic encounters.

Overwhelmed when a figure from her past reemerges, Joan Verra retreats to the countryside with her son Nathan. There she experiences fragmented recollections of her past romantic encounters.

Nathalie Adler is on a mission for the EU in Sicily. She organizes the next visit of Macron and Merkel to a migrant camp. Their presence has a high symbolic value to show that everything is under control. But who still wants to believe in this European family on the verge of a nervous breakdown? Probably not Albert, Nathalie's son, an NGO activist who arrives without warning. He, moreover, no longer believes in his mother.

Antoine and Mathieu walk along a road hoping for a bus that does not arrive. Complicity, revelation, embarrassment... But the road is long and the roles can be reversed.

A collection of gay short films. The 9 short films are: An Early Frost [Gelée précoce] (1999); Casualty (1999); Coming Out [Papa, faut que j'te parle...] (2000); Doors Cut Down [En malas compañías] (2000); Final Exams [Les résultats du bac] (2001); In and Out [L'un dans l'autre] (1999); Odd Sock (2000); Sloth [Likegyldighet] (2000); The Virgins [Les puceaux] (1997).

A social drama about a woman who is obligated to return to her parents’ home and agrees to work for her uncle in a doghouse.

A social drama about a woman who is obligated to return to her parents’ home and agrees to work for her uncle in a doghouse.

Competitive bodybuilder Léa Pearl is preparing to compete for the prestigious Miss Heaven title. Her coach, Al, a former bodybuilding star, hopes that, thanks to Léa, he will be back in the spotlight once again. But at the last minute, Léa's ex arrives with their son Joseph, who she hasn't seen in four years.

Seventeen-year-old Mathieu Reymond lies brutally battered and raped in a field of reeds. It is only after his release from hospital that the memories come back, unannounced and fragmentary, but still so precise that regular meetings with two police officers not only allow the perpetrator’s identikit image to take shape, but also the chronology of the crime itself.