The mysterious disappearances of several children in San Lupo, in the province of Benevento, are throwing the population into chaos and terror. Some believe it could be a pedophile, while others believe it's a legendary witch, Janara, who was burned at the stake while pregnant centuries ago, thus casting a curse on the town and its inhabitants. It's against this backdrop that Alessandro and Marta, a young pregnant couple, arrive in town to deal with inheritance matters related to the death of Marta's grandfather. They will find themselves dealing with the disappearances much more intimately than they ever imagined.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

Christian is on family vacation with his wife and son. One day he meets Luca, an old friend, at the bar on the beach. This sudden emergence from the past bothers Christian. Luca asks Christian to restart a game interrupted many years ago...

A naked woman awakes on a deserted beach. After wandering around, she ends up in the ruins of an abandoned town. The living left long ago. In a tumbledown house she finds artefacts of existence: clothing, furniture, a record player and a telephone. The latter contains a young couple’s photos and videos. Arianna and Leonardo loved taking selfies and meticulously recorded their holidays and excursions, but also their intimate moments at home.

Laura, mother of a newborn, struggles with a complex obsessive-compulsive disorder. She engages in repetitive actions to fill an emotional void to maintain a connection with herself. However, something disrupts this cycle. The doorbell rings unexpectedly, and a familiar voice breaks through her obsessive pattern.