Robert Müller has wanted to be a comedian since he was a kid, but he's only made it as a car salesman so far. This is about to change when he takes part in an open-mic show. He puts the program together with his imaginary friend, the stone-age Caveman. Then his girlfriend Claudia breaks up with him...

It's no surprise when Karo is fired. She is loud, over-emotional and egocentric, more so than the average Berliner wise-ass, says her best friend Anna. Karo is not one to give up easily, though: she opts for radical change and goes into therapy. Although her therapist advises her to keep calm, Karo throws herself into it.

It's no surprise when Karo is fired. She is loud, over-emotional and egocentric, more so than the average Berliner wise-ass, says her best friend Anna. Karo is not one to give up easily, though: she opts for radical change and goes into therapy. Although her therapist advises her to keep calm, Karo throws herself into it.

Hans calls his girlfriend Heinz, which tells you everything you need to know about their relationship. They're a typical couple who're stuck in a rut after eight years. Hans works at a copy shop and Heinz is an actress relegated to voicing a cartoon stoplight. On their anniversary, they go to the movies. It's a romance. But the spark on screen just doesn't strike them. When Hans gives Heinz's ex her phone number instead of putting up a fight over her, Heinz' alarm bells go off: How can this be love? They decided to make a list of everything than makes up a real love: Romance, desire, passion, jealousy, drama – deep feelings, in other words. Hans and Heinz methodically start checking off their list and realize: Real life is nothing like the movies.

Hans calls his girlfriend Heinz, which tells you everything you need to know about their relationship. They're a typical couple who're stuck in a rut after eight years. Hans works at a copy shop and Heinz is an actress relegated to voicing a cartoon stoplight. On their anniversary, they go to the movies. It's a romance. But the spark on screen just doesn't strike them. When Hans gives Heinz's ex her phone number instead of putting up a fight over her, Heinz' alarm bells go off: How can this be love? They decided to make a list of everything than makes up a real love: Romance, desire, passion, jealousy, drama – deep feelings, in other words. Hans and Heinz methodically start checking off their list and realize: Real life is nothing like the movies.

Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?