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A jobless Pakistani immigrant who wants to salvage his marriage by driving for riding apps, which is targeted by the Hong Kong police.

A confrontation between two Hong Kong immigrants – one a cab driver from Mainland China, the other a lawyer and refugee from Pakistan – spells disaster for their families, especially the lawyer's young son.

A confrontation between two Hong Kong immigrants – one a cab driver from Mainland China, the other a lawyer and refugee from Pakistan – spells disaster for their families, especially the lawyer's young son.

Ka-long, a wanderlust graduated from the University of Hong Kong, always dreams of backpacking to many countries with his guitar. While he believes he is trapped in Hong Kong, his family thinks that he is simply wasting his life and not settling down for a better future. He is getting more uplifted after he meets Wen-wen, a girl speaks with a Taiwanese accent. While they are dating, Wen-wen makes an effort to hide her true identity from Ka-long. Can they finally resolve the undercurrent of their relationship? Let’s Get Lost ultilises the thematic motif of road movie genre – both protagonists have to embark on a journey of revealing their true identity. As a result, the film widens its scope to the geo-political differences between Hong Kong, Taiwan and China.

Hoping to give her daughter a better life, a single mother decided to work part-time in a convenience store. Yet, the lack of night-time child care service puts her in a dilemma.

Thirty-year-old Zhihong, who is still living with his sister, is a useless young man in the eyes of everyone. His daily pleasure is to peek at his sister's girlfriend Li Yifan through the crack of the curtain. A turmoil about Yifan's relocation gave the two a chance to spend time alone. As their relationship progressed, Zhihong gradually released his long suppressed desire

Although the Chinese government promised that Hong Kong would retain separate status until 2047, in recent years the Chinese state has consolidated its power over the metropolis. Large-scale protests by the populace have been brutally suppressed. This mix of documentary, fiction, and visions of the future reveals the current state of desolate depression among the people of Hong Kong. “A desperate attempt to capture the final moments of a sinking island”, as maker Chan Tze-woon himself puts it.

Ka-long, a wanderlust graduated from the University of Hong Kong, always dreams of backpacking to many countries with his guitar. While he believes he is trapped in Hong Kong, his family thinks that he is simply wasting his life and not settling down for a better future. He is getting more uplifted after he meets Wen-wen, a girl speaks with a Taiwanese accent. While they are dating, Wen-wen makes an effort to hide her true identity from Ka-long. Can they finally resolve the undercurrent of their relationship? Let’s Get Lost ultilises the thematic motif of road movie genre – both protagonists have to embark on a journey of revealing their true identity. As a result, the film widens its scope to the geo-political differences between Hong Kong, Taiwan and China.

It was raining non-stop when Hong Kong was rocked by the tumultuous events of October 2014 (the "umbrella movement"). In a fixed sequence shot, the film captured students meeting each other in the hall, in the rooms, discussing, arguing about or remaining indifferent to the event, while it continued to rain outside.

Hoping to give her daughter a better life, a single mother decided to work part-time in a convenience store. Yet, the lack of night-time child care service puts her in a dilemma.
