Lucky Jackson arrives in town with his car literally in tow ready for the first Las Vegas Grand Prix - once he has the money to buy an engine. He gets the cash easily enough but mislays it when the pretty swimming pool manageress takes his mind off things. It seems he will lose both race and girl, problems made more difficult by rivalry from Elmo Mancini, fellow racer and womaniser.

Unable to pay for her passage upon setting sail to the tropics to meet her mail-order husband, Dorothy Ryan assumes the identity of a wealthy passenger who is presumed dead. Enjoying the preferential treatment she receives; Dorothy continues the masquerade when she arrives at her destination. She forgets all about her husband-to-be and falls for local aristocrat John Rice (Larry Kent). The party ends when the woman whom Dorothy is pretending to be suddenly shows up, very much alive and incredibly angry. Disgraced in the eyes of John's family, Dorothy wanders into the jungle only to be captured by natives and sentenced to be burned at the stake. Will true love John be able to rescue her in time?

Because he refuses to be a tool for a political mob, Watts, an ex-senator, is relegated to the public wastebasket. When he opposes a rival politician in a mayoral campaign, Watts evokes the public's sympathy and is elected to the mayor's chair, again becoming a power in local politics.

Irish contractor McFadden and Scottish barber McTavish become fast friends, and McTavish's son Jock, meets and falls in love with McFadden's daughter Mary Ellen. McFadden, having increased his store of worldly goods, sends his daughter to a finishing school, to young Jock's dismay. McFadden also provokes frequent outbursts from McTavish, whose outlook on life is the antithesis of his own. McFadden's ambition to complete a flat building is well underway when he suddenly finds himself in financial straits; when McTavish secretly helps him out, all eventually works out well for the friends and the young lovers.

Forced by her mean-spirited father, Lord Chief Justice James O'Brien, to marry a man she doesn't love, Connaught O'Brien gives up hope of ever with her true love, Dermot McDermot. After her father dies and a hunted rebel leader returns to town, however, Connaught finds a renewed hope that the tides of oppression will shift and she might again find happiness. This silent romantic drama, set in Ireland, is the first film in which a then-unknown John Wayne is clearly visible.

A homeless woman living at the city dump hears of the death of a wealthy industrialist and puts in a claim on his estate for her daughter, who is actually the rightful heir.

Get ready for a roller-coaster trip of emotion with this campy collection from the golden age of Hollywood! Originally intended to warn America's youth of the perils of drugs, sex, and alcohol, these outlandish and unintentionally hilarious tales have heartache, tragedy, crime, and even insanity, lurking around every corner!

Julian Ramos is a fisherman in the Canary Islands. As the guardian of his hotheaded younger brother Charles, Julian regards it as his duty to protect the boy from women -- and vice versa. When Charles begins pitching woo at aristocratic Amy, Julian runs interference by pretending to be in love with the girl himself. As time passes, of course, he stops pretending.

The Big Noise is retired textile manufacturer Julius Trent (Guy Kibbee). Seeking a new outlet for his entrepreneurial energies, Trent buys a half interest in a thriving dry-cleaning establishment. This gets him mixed up with a gang of protection racketeers, who promise dire consequences if Trent doesn't dance to their tune.

The Indians need the Buffalo to survive and the Government has promised to keep the herds free from hunters. But Carter, of Carter and Barton, just signed a big contract for furs and Buffalo meat so they want the herds. The only way they can get them is to rile the Indians up enough to go on the warpath and break the treaty. After the trouble starts, the Indians get the Colonel's daughter and hold her prisoner. Written by Tony Fontana