Live from ROH 2009, TV relay 1/12/2009.

Renee Fleming stars in Dvorak's three-act opera based on two fairy-tales which tells the story of a water-nymph called Rusalka (Fleming), who wishes she was human, after falling in love with a mortal.

Mikhail Ivanovich Glinka's magical masterpiece in its entirety, inspired by Alexander Sergeyevich Pushkin's poem of a Russian tale. An evil sorcerer Chernomor casts a spell over wedding celebrations for Ruslan and Lyudmila at the court of Svetozar, the Prince of Kiev. Lyudmila vanishes and her father promises her hand and half his kingdom to the knight who rescues her. Ruslan on this quest of rescue encounters the knights Ratmir and Farlaf, the wise wizard Finn, the slave of Ratmir, Gorislava and sorceress Naina before confronting Chernomor in his magic garden. After all the challenges for Ruslan, true love prevails.

Nikolai Rimsky-Korsakov's dazzling opera by-line in seven tableaux. The epic journey of Sadko a sea-faring minstrel from Novgorod, his wife Libava and their encounters with Volkhova, a sea Princess and the court of her parents the Tsar and Tsarina of the Sea. Sadko traveling on his ship "Falcon" also meets visiting foreign merchants from India (a Hindu), Scandinavia (a Varangian) and Italy (a Venetian) singing of the magic of their own lands to try and lure him. In the seventh tableaux Sadko is reunited with his wife, thinking his journey a dream, until he sees his fleet of ships coming up the newly created river Volkhova and realizes his sea Princess has transformed herself into the river in order to create the gateway to the ocean for Novgorod. In conclusion Sadko leads the hymn of praise and everyone rejoices their good fortune.

The imperious Onegin rejects naive Tatiana's proposal of love and also incites a duel with his best friend turned rival Lenski (Piotr Beczala). This sets the scene for a dramatic story of love, loyalty and betrayal. Acclaimed theatre director Deborah Warner presents this lavish new interpretation of the timeless tale. Set in the 19th century and moving episodically from farmhouse to ballroom, the production culminates in an unforgettable finale set during a snowstorm.

A 1998 production staring Anna Netrebko, Larissa Diadkova, Nikolai Gassiev, Aleksander Gergalov in this Kirov Opera & Ballet production of the Prokofiev opera, with Valery Gergiev conducting.

Valery Gergiev directs the Kirov Opera and Ballet in this dramatic staging of Tchaikovsky's rarely performed historical opera, based on Pushkin's verse tale of the legendary Cossack chieftain.

The revolutionary tribunal has sentenced Andrea Chénier to death and no one can avert his fate. Shortly before his execution, Chénier is visited by his lover Maddalena, who has decided to die at the poet's side. “Our death is the triumph of love”, the lovers promise each other in their last words. The French Revolution, which was initially demanded by the people, turns out to be a machine of terror after 1789: spies of the regime pursue the citizens, show trials serve as a deterrent and the guillotine ensures that the sentences are carried out. Although the wanted Chénier could flee Paris, he decides against it. He wants to know who is behind the letters that are secretly delivered to him. Here, in the shadow of the reign of terror, love triumphs: Chénier and Maddalena find each other, swear eternal love and are faithful to each other until their last breath together.

Opera in two acts with a libretto by Sergei Prokofiev and Mira Mendelssohn-Prokofieva based on the novel of the same name by Leo Tolstoy

Tchaikovsky’s many moods—tender, grand, melancholy—are all given free rein in Eugene Onegin. The opera is based on Pushkin’s iconic verse novel, which reimagines the Byronic romantic anti-hero as the definitive bored Russian aristocrat caught between convention and ennui; Tchaikovsky, similarly, took Western European operatic forms and transformed them into an authentic and undeniably Russian work. At the core of the opera is the young girl Tatiana, who grows from a sentimental adolescent into a complete woman in one of the operatic stage’s most convincing character developments.