
Acting
Lara Flynn Boyle (born March 24, 1970) is an American actress and producer. She is best known for her role as Donna Hayward in the ABC cult television series Twin Peaks (1990–1991). After portraying Stacy in Penelope Spheeris's comedy Wayne's World (1992), Boyle had a lead role in John Dahl's critically acclaimed neo-noir film Red Rock West (1993), followed by roles in Threesome (1994), Cafe Society (1995), and Happiness (1998). From 1997 to 2003, Boyle portrayed Assistant District Attorney Helen Gamble in the ABC television series The Practice for which she was nominated for a Primetime Emmy Award Outstanding Supporting Actress in a Drama Series. Description above from the Wikipedia article Lara Flynn Boyle, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Kay and Jay reunite to provide our best, last and only line of defense against a sinister seductress who levels the toughest challenge yet to the MIB's untarnished mission statement – protecting Earth from the scum of the universe. It's been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Now it's a race against the clock as Jay must convince Kay – who not only has absolutely no memory of his time spent with the MIB, but is also the only living person left with the expertise to save the galaxy – to reunite with the MIB before the earth submits to ultimate destruction.

Carol Anne has been sent to live with her Aunt and Uncle in an effort to hide her from the clutches of the ghostly Reverend Kane, but he tracks her down and terrorises her in her relatives' appartment in a tall glass building. Will he finally achieve his target and capture Carol Anne again, or will Tangina be able, yet again, to thwart him?

At a sizable public college, high-minded student Eddy is forced to room with the slovenly Stuart, but the pair strike up a surprising friendship. When attractive co-ed Alex is assigned to live with the two male students because of her gender-neutral name, a roundabout love triangle ensues. Eddy secretly yearns for Stuart, who wants Alex, but she prefers Eddy. The complex situation leads to sexual experimentation and strained relationships.

Isaac's son Jacob deprives his brother Esau of his birthright and has to flee for his life. He finds shelter with his uncle Laban, but is himself deceived. Finally, Jacob has to face both his uncle and brother.

When a promised job for Texan Michael fails to materialize in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of the situation, collects the money, and runs. During his getaway, things go wrong, and soon get worse when he runs into the real hitman, Lyle.

An unhappy young couple visit the infamous Kellogg spa in Battle Creek, Michigan while a young hustler tries get into the breakfast-cereal business and compete against John Kellogg's corn flakes.

Baby Bink couldn't ask for more: he has adoring (if somewhat sickly-sweet) parents, lives in a huge mansion, and he's just about to appear in the social pages of the paper. Unfortunately, not everyone in the world is as nice as Baby Bink's parents—especially the three enterprising kidnappers who pretend to be photographers from the newspaper. Successfully kidnapping Baby Bink, they have a harder time keeping hold of the rascal, who not only keeps one step ahead of them, but seems to be more than a little bit smarter than the three bumbling criminals.

Various stories of how crack cocaine has infiltrated the inner-city streets. Based on Buddy Giovinazzo's novel "Life is Hot in Cracktown".

Veteran cop Nick Pulovski is used to playing musical partners; many of the partners he's had in the past have died on the job, and often as a result of Nick's risky tactics. But the rookie who's been assigned to help Nick bust a carjacking ring is almost as hotheaded as he is … and when Nick gets kidnapped, his newbie partner is his only hope.

The adventures of two amiably aimless metal-head friends, Wayne and Garth. From Wayne's basement, the pair broadcast a talk-show called "Wayne's World" on local public access television. The show comes to the attention of a sleazy network executive who wants to produce a big-budget version of "Wayne's World"—and he also wants Wayne's girlfriend, a rock singer named Cassandra. Wayne and Garth have to battle the executive not only to save their show, but also Cassandra.






