Mula sa Buwan is an original Filipino musical based on Edmond Rostand's timeless classic Cyrano de Bergerac. However, this is not your usual Cyrano. Although it retains the plot of unrequited love, question of beauty, and the relentless battle against compromise, the beloved story has been reimagined to tell a more familiar story: OURS.

Something seems to be preparing Rana. It appears after spending the day with their grandmother and their friend Saada. In the afternoon, as a hopeful gesture, after getting in drag for the first time. Rana comes home from a night of clubbing (plus getting a new mole), and finally gets to dance.

A group of transgender women belonging to a gang kidnaps foreign men to fund their gender-affirming surgeries, not knowing that their quest to free themselves to be who they are may end with them in prison.

With this film (the second war trilogy set during the Filipino-American war in the early 1900s), the revolution marches on against the Americans after the bloody death of General Antonio Luna. The conflicted philosophies behind the heroic struggle continue and become personified in the colorful character of General Gregorio "Goyo" del Pilar.

Lam-ang is an ethno-epic musical that re-imagines and reinterprets Biag ni Lam-ang, the oldest among the folk epics of Luzon. This play, which aims to rediscover a significant portion of Philippine culture and heritage, is inspired by the published Ilocano version of Isabelo delos Reyes and Tagalog translations of Angel Acacio and Ariel Tabag.